« Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys

This article proposes to study The Boys (Prime Video, 2019-in production) from a genealogical approach that will shed light on the series' cinematic legacy, with a particular emphasis on its science fictional matrix. The starting point of this reflection lies in the paradigmatic shift embodied...

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Main Authors: Thomas Carrier-Lafleur, Baptiste Creps
Format: Article
Language:fra
Published: Université de Limoges 2022-06-01
Series:ReS Futurae
Subjects:
Online Access:https://journals.openedition.org/resf/10835
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author Thomas Carrier-Lafleur
Baptiste Creps
author_facet Thomas Carrier-Lafleur
Baptiste Creps
author_sort Thomas Carrier-Lafleur
collection DOAJ
description This article proposes to study The Boys (Prime Video, 2019-in production) from a genealogical approach that will shed light on the series' cinematic legacy, with a particular emphasis on its science fictional matrix. The starting point of this reflection lies in the paradigmatic shift embodied by The Boys, following the cinema of Zack Snyder (Watchmen, 2009 and Batman v Superman: Dawn of Justice, 2016), which consists in proposing a realistic rereading of the mythologies of the superhero, whose traditional model is thus strongly criticized, even deconstructed. Similarly, the authors will show how the use of the science- fictional imaginary, notably through the use of the film-matrix Scanners (David Cronenberg, 1981), composes a clear genealogical source while, at the same time, The Boys renews its relationship to cinephilic memory and to media and political criticism in a formal synthesis of New Hollywood.
format Article
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institution Kabale University
issn 2264-6949
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publishDate 2022-06-01
publisher Université de Limoges
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series ReS Futurae
spelling doaj-art-0a78aff92af6443db34eba6fb06372872025-01-06T10:43:00ZfraUniversité de LimogesReS Futurae2264-69492022-06-011910.4000/resf.10835« Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The BoysThomas Carrier-LafleurBaptiste CrepsThis article proposes to study The Boys (Prime Video, 2019-in production) from a genealogical approach that will shed light on the series' cinematic legacy, with a particular emphasis on its science fictional matrix. The starting point of this reflection lies in the paradigmatic shift embodied by The Boys, following the cinema of Zack Snyder (Watchmen, 2009 and Batman v Superman: Dawn of Justice, 2016), which consists in proposing a realistic rereading of the mythologies of the superhero, whose traditional model is thus strongly criticized, even deconstructed. Similarly, the authors will show how the use of the science- fictional imaginary, notably through the use of the film-matrix Scanners (David Cronenberg, 1981), composes a clear genealogical source while, at the same time, The Boys renews its relationship to cinephilic memory and to media and political criticism in a formal synthesis of New Hollywood.https://journals.openedition.org/resf/10835HollywoodserialitysuperheroHollywood (New)satireconsumer society
spellingShingle Thomas Carrier-Lafleur
Baptiste Creps
« Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys
ReS Futurae
Hollywood
seriality
superhero
Hollywood (New)
satire
consumer society
title « Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys
title_full « Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys
title_fullStr « Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys
title_full_unstemmed « Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys
title_short « Never Meet Your Heroes ». Généalogie cinématographique et matrice science-fictionnelle dans The Boys
title_sort never meet your heroes genealogie cinematographique et matrice science fictionnelle dans the boys
topic Hollywood
seriality
superhero
Hollywood (New)
satire
consumer society
url https://journals.openedition.org/resf/10835
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