Theatricality, versification and dramatic levels in Así que pasen cinco años by Federico García Lorca
In Así que pasen cinco años, by Federico García Lorca, the use of verse and prose has a special semiotic dimension which has to do with the different dramatic components, especially the dreamlike and realistic plane of the action, the metamorphoses of the characters, and the different dramatic level...
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| Main Author: | |
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| Format: | Article |
| Language: | Catalan |
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Masaryk University
2024-10-01
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| Series: | Études romanes de Brno |
| Subjects: | |
| Online Access: | https://journals.phil.muni.cz/erb/article/view/39936 |
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| Summary: | In Así que pasen cinco años, by Federico García Lorca, the use of verse and prose has a special semiotic dimension which has to do with the different dramatic components, especially the dreamlike and realistic plane of the action, the metamorphoses of the characters, and the different dramatic levels temporally juxtaposed in the drama (metadiegesis, metadrama and metatheater). Along with other non-verbal codes, such as lighting, costumes or makeup, the mixture of verse and prose is essential in the drama formal articulation and explain the great topics that run through it: the great theater of the world, the paradox of truth of theater and lies of reality, and the masks and the hidden identities. |
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| ISSN: | 1803-7399 2336-4416 |