The War Game et Who Bombed Birmingham ? : usage politique du mode réflexif
At a very early stage in the evolution of British television, docudrama was exploited to steer a very large audience towards political and societal issues that needed a national consensus to be addressed. Cathy Come Home remains, in the history of television, the most often cited programme when it c...
Saved in:
Main Author: | Georges Fournier |
---|---|
Format: | Article |
Language: | English |
Published: |
Presses universitaires de Rennes
2014-02-01
|
Series: | Revue LISA |
Subjects: | |
Online Access: | https://journals.openedition.org/lisa/5641 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Les documentaires politiques de Robert Greenwald : définir des nouvelles pratiques militantes à l’ère d’Internet
by: Delphine Letort
Published: (2014-02-01) -
“First they bomb as much as they please, then they film”: The Politics of War Ruins in Two Vietnam War Documentaries
by: Zachary Baqué
Published: (2022-05-01) -
Cormac McCarthy and the Genre Turn in Contemporary Literary Fiction
by: James Dorson
Published: (2017-12-01) -
La réalité en direct, l’actualité en spectacle (vivant)
by: Zoé Ververopoulou
Published: (2017-07-01) -
Documentaire et fiction dans Norteado de Rigoberto Perezcano
by: Marie-Pierre Ramouche
Published: (2012-09-01)