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    INTERNATIONAL THEATRICAL EDUCATIONAL PROGRAM: 25 YEARS OF EXPERIENCE IN MOSCOW ART THEATRE SCHOOL by E. V. Burdenko, I. I. Artsis, N. S. Il'yushchenko

    Published 2017-09-01
    “…The Moscow Art Theatre Semester immerses students-actors in the Stanislavski training method. Daily movement and acting classes are complemented with design, voice, Russian language, and Russian theater history. …”
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    Article
  6. 26

    Stereotyped accent judgements in forensic contexts: listener perceptions of social traits and types of behaviour by Alice Paver, David Wright, Natalie Braber, Nikolas Pautz

    Published 2025-01-01
    “…Considering the potential consequences of accent judgements by witnesses and jurors, this study examines the relationship between ratings for characteristics and the likelihood of acting in certain criminal and non-criminal ways. 180 participants completed an accent judgement task, rating 10 regionally-accented British voices on a range of traits and behaviours using a wider variety of accents, behaviours and criminal offences than previous research. …”
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  7. 27

    Die geheim van die prediking: om mondig te word by J. Cilliers

    Published 2003-06-01
    “… This article contends that preaching is a speech-act in which the voice of the preacher – symbol of his or her personality and spirituality - has an important role to play. …”
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  8. 28

    Environmental Disinfection Based on Mobile Intelligent Networking Highly Efficient Ultraviolet Light Machines by Chun-Yen Chung, Wen-Tsai Sung, Lin-Chi Wang, Lailatus Siami, John Paul Santos

    Published 2024-01-01
    “…In order to prevent ultraviolet light from harming the human body, sensors were employed self-acting to detect the presence of people and turn off the ultraviolet light when people were detected in the area. …”
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    Article
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    Glosa aprobująca do wyroku Sądu Wojewódzkiego w Szczecinie z dnia 10 marca 2022 r., II SA/Sz 1285/21 by Daniel Jóźwiak

    Published 2024-01-01
    “…The judgment may be an intervening voice in Polish jurisprudence. The principle of equality, justice was invoked. …”
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    Article
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    Deconstructing the Politics of Linguistic Mutation in Tom Stoppard’s Dogg’s Hamlet, Cahoot’s Macbeth by Sarra Jouini

    Published 2024-09-01
    “…This new linguistic transformation acts as a catalyst for social and political change, resisting surveillance and censorship of free speech. …”
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    Article
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    Who Cares? Scotland: 25 years and still moving forward.... by Deirdre Watson

    Published 2003-02-01
    “…Scotland was established in 1978 to act as the consumer voice of young people in care. …”
    Article
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    L’autre scène dans The Three Birds de Joanna Laurens (2000) : enjeux dramatiques de la réécriture d’un mythe by Solange Ayache

    Published 2015-04-01
    “…She addresses such issues as the oppression of minorities, the voice of the stranger, and the reversibility of ethical positions by providing a reflection on the intrinsic duplicity of language itself and by exploring its potential for ‘metamorphosis’ and manipulation, thus presenting otherness as alienation. …”
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    « Décomposition fécondante » : la chimie organique et les savoirs du vivant chez Flaubert by Judith Wulf

    Published 2015-06-01
    “…In keeping with his method, Flaubert gives them a voice in his writing.…”
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    Article
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    Expériences de scolarisation de jeunes adultes en situation de handicap : qu’en disent ces premier.e.s expert.e.s ? by Vanessa Bacquelé, Jennifer Fournier

    Published 2022-09-01
    “…Based on the biographical accounts of four young people with disabilities regarding their educational and professional integration pathways, the article highlights the stages of these pathways, the resources and barriers commonly mentioned, as well as a key element for each pathway that serves as a common thread in the narrative. Although the voice of experts from the inside is rarely taken into account in research on schooling of children with disabilities, their contribution is essential to understand and act in favour of a more inclusive society.…”
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    “Death Drive, Martyrdom, and Deathbed Scenes. The Narration of Death in Harriet Wilson’s Autobiographical Novel” by Karima ZAARAOUI

    Published 2017-12-01
    “…Against all odds, her project will go beyond its object in an ultimate “death-defying act” (Thomas Couser).…”
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    Susan Howe’s Caesurae by Andrew Eastman

    Published 2021-07-01
    “…Readings of Susan Howe’s visual poetry tend to focus on how she uses the space of the page to act on language, through an opposition, then, between the visual and the textual. …”
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    ‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé by Erin Dunbar

    Published 2017-11-01
    “…Sex and death become symbolic of the ultimate self-indulgent acts as Salomé lusts after Iokanaan’s severed head. …”
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    Oralité et échec programmé du manifeste-pétition Not In Our Name (NION) by Simone RINZLER

    Published 2011-10-01
    “…It contributes to the study of the non-fictional genre of the political manifesto by analysing the orality of the genre and by stating its low value as a common and garden variety of manifesto. The voice expressed here does not believe much in the force of language. …”
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    ‘Care-less whispers’ in the academy during COVID-19: A collaborative autoethnography by Paula Natalie Stone, Adele Phillips, Kerry Jordan-Daus

    Published 2022-10-01
    “…The stories shared in this paper are analysed through a ‘care-less’ (Rogers, 2017) lens, which asks the academy to recognise and confront the duplicity and self-glorification of policy and practice, that might be viewed as acts of normalising and supporting care-less cultures and behaviours. …”
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    Le français dans l’écriture conradienne by Claude Maisonnat

    Published 2013-09-01
    “…The result is that French is essential to his art in so far as it provides a constant challenge to the master discourse of the authorial voice and thus constitutes the basis of the poetic dimension of his prose based on the Lacanian notion of lalangue, as if French acted as a surrogate maternal language.…”
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