Suggested Topics within your search.
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Bouches béantes et voix blanches dans le théâtre de Howard Barker
Published 2013-07-01Get full text
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Yorùbá Theatre Practice and Nollywood
Published 2024-09-01“…Nollywood has made the whole world a stage for Yorùbá theatre. By extending the performance space beyond the physical confines of the auditorium, Nollywood represents both the current state and future direction of Yorùbá theatre. …”
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‘I am Duchess of Malfi still’: A Review of The Duchess of Malfi, directed by Maria Aberg, The Royal Shakespeare Company (Swan Theatre, Stratford-Upon-Avon, 2018)
Published 2019-01-01“…A Review of a performance of The Duchess of Malfi, directed by Maria Aberg for the Royal Shakespeare Company (Swan Theatre, Stratford-Upon-Avon, 10 July 2018)…”
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De la voix au théâtre au théâtre de la voix : l’envers du décor poétique de Robert Browning
Published 2008-12-01Get full text
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Social trauma and the theatre: a study of the formation of a non-conformist identity
Published 2013-12-01Get full text
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Lieux et milieux dans le Théâtre de Béziers (XVIIe siècle)
Published 2014-12-01“…The Theatre of Béziers brings together an ensemble of 24 published plays, performed in Béziers for the festival of Ascension between 1616 and 1647. …”
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L’horreur acoustique musiques « anempathiques » dans le théâtre de Martin Crimp
Published 2003-06-01Get full text
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage
Published 2018-11-01“…In an aesthetics of trauma, debbie tucker green gives voice to marginalized and politically minor voices which she directs in her writing as one would a symphonic orchestra. …”
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Acting Out Our Vanities. Why are university theatre students acting in productions, and how are we assessing them?
Published 2020-12-01“…This article casts a critical eye over the assumed need for staff-directed productions on BA theatre programs, asking what point and rationale these productions might serve, and what tutors are looking for when students are assessed in this area of practice. …”
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UNE PERSPECTIVE SÉMANTIQUE INTÉGRALISTE SUR L’INTERFÉRENCE TEXTE-MUSIQUE DANS LE CAS DU THÉÂTRE MUSICAL
Published 2014-06-01“… The present article focuses its investigation on the place of direct and private interference of the literary text with mu100sic, being consequently dedicated to the “semantic-integralist” analysis reguarding a complete cultural-artistic object which is the musical theatre. …”
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The Inevitability of Absurdity, or Collective Trance in Boogie-woogie Rhythm: Tom Stoppard’s Play Rosencrantz and Guildenstern are Dead on the Stage of the Old Theatre of Vilnius
Published 2024-12-01“… The review discusses aspects of unconventional stage interpretation of Tom Stoppard’s play Rosencrantz and Guildenstern are Dead. The premiere, directed by Yuriy Butusov, took place in September 2023 at the Old Theatre of Vilnius. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os
Published 2016-06-01Get full text
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D’une eschatologie heurtée par la science-fiction : les genèses clivées du blitz theatre group et du Groupe la Galerie
Published 2021-12-01“…How to disappear completely (2015), created by the Athenian collective blitz theatre group (2004–2018) and La Bible, vaste entreprise de colonisation d’une planète habitable (2018), written and directed by Céline Champinot with the company Groupe La Galerie. …”
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The Contribution of Participatory Art Projects to a Good Quality of Life in Mountain Regions
Published 2023-03-01“…Our case study is a travelling theatre group (http://www.theatredeschemins.org/). …”
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La contribution des projets artistiques participatifs à une bonne qualité de vie dans les régions de montagne
Published 2023-03-01“…Our case study is a travelling theatre group (http://www.theatredeschemins.org/). …”
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L’abbé Thomas Thobert (1736-1777), sa pastorale et son œuvre théâtrale
Published 2018-12-01“…But Maurel added a plot and socially distinctive characters, as are found in the scripts for the talking Nativity scenes (puppet theatre). His pastorale was soon adopted in place of the one by Father Thobert.…”
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