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  1. 141

    Tempering Feydeau: Twisting and Guilty Pleasures on the London Stage (1893-1897) by Violaine Heyraud

    Published 2017-11-01
    “…How could they avoid offending a Lord Chamberlain, hostile to any signs of immorality, with these plays, which were often based on subversive and ribald comedy? In each case, the manuscripts submitted for his censorship, in the proposed texts, reveal a prior self-censorship, evident both in the choices of the plays presented, and in the contortions of the adapters and translators: transpositions of situations, cuts and line changes all aimed at smoothing over or toning down the comedic effects relating to sexuality, as well as to social divisions. …”
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    Dragon Teeth / by Crichton, Michael

    Published 2017
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