Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement by Daniel Sullivan

“…Despite striking parallels between their philosophies and artistic work, there have been no prior dedicated studies of the reinforcing ideas of Siegfried Kracauer and Andrei Tarkovsky. …”
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Un cinéma affranchi du contrôle de l’État by Nicolas Appelt

“…The Syrian conflict is reflected, among others, in a flood of images: in the propaganda of the regime, in the Organization of the Islamic State (OEI), in testimonies of activists or reporters. Parallel to those videos broadcasted on television or posted on social media, a Syrian cinematic creation persists outside the official production channels of the regime and despite difficulties. …”
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Ni liquidation, ni restauration de l’aura. Benjamin, Pasolini et le cinéma by Alain Naze

“…Puisant dans la réflexion de Benjamin les éléments permettant de penser un passage des formes traditionnelles de narration à d’autres formes, contemporaines et susceptibles d’être accueillies au sein de l’appareil cinématographique lui-même, cet article cherche à situer les implications politiques émancipatrices propres à la conception benjaminienne du cinéma et à les articuler avec la difficile question de l’aura. …”
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En Inde, dans les salles de cinéma, les spectateurs sont-ils acteurs ou simples spectateurs ? by Wendy Cutler

“…Indeed, in India, since the arrival of cinema, members of the audience do not content themselves with being simply spectators of the films projected. …”
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Une constellation nommée Argo – L’errance dans la science-fiction vidéoludique by Jean-Charles Ray, Simon Laperrière

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D’autres mondes pour d’autres musiques : les dimensions sonores parallèles de The OA (Partie 01) by Jérémy Michot

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Madrid, la ciudad quimera by Bénédicte Brémard

“…In a parallel step, film directors are inspired by the real city, sometimes fantasized, sometimes nightmarish. …”
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Intermedial Practices as Reflections on Media and the Arts. What Do Kinema-Sketches Teach Us about Screenlife Movies? by Izabella Füzi

“…A contemporary parallel is the screenlife (computer or desktop) film, which integrates digital media into the storytelling of traditional film genres, equating the cinematic space with the digital interface. …”
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La seringue et la gâchette by Thomas Lequeu

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Del chocolate a la fresa, del exilio interior a la expatriación : las etapas de un doble recorrido iniciático en Fresa y chocolate de Tomas Gutiérrez Alea y Juan Carlos Tabío by Pascale Thibaudeau

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Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art by Ганна Чміль, Максим Вітошкін

“…The research methodology is based on the following scientific methods: theoretical – for analysing the psychological factors that influence the perception of an audiovisual work, understanding outstanding examples of world cinema; comparative – for drawing parallels between fiction and documentary cinema. …”
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The Architectural Photomontages of Piero Bottoni by Fabio Colonnese

“…Passionate about photography and cinema, Bottoni used these techniques for different purposes, not least their latent political and subversive potential, which was already implicit in the work of the artistic avant-gardes. …”
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Troy Is Burning: Epic Archetypes by Alberto Camerotto

“…Moreover, it explores the transforma­tive power of sport as a symbol of peace and cooperation, drawing parallels between ancient athletic ideals and contemporary societal values. …”
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The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western by Julie Assouly

“…Focusing on an analysis of the Coen brothers’ Western/Southern films through the critical tool of the wandering character, this article will seek to emphasize the possible parallels that can be drawn between Southern and Western cultures, in literature and cinema, arguing that the Gothic roots of the wandering character were transferred from European literature to American Western and Southern literatures and popular culture, thus becoming essential to the generic hybridization pervading the Coens’ filmography.…”
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