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    La musique et le mal : possession diabolique dans Trilby (1894) de George du Maurier et The Lost Stradivarius (1895) de John Falkner Meade by Françoise Dupeyron-Lafay

    Published 2004-04-01
    “…However, the function of music in these books is utterly negative : it is of foreign origin — this reflects some Anglo-saxon xenophobic prejudices ; Svengali is an East European Jew in Trilby and Falkner Meade makes southern Italy instrumental in his plot — which certainly accounts for its being evil. …”
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  3. 23

    Kritik Konsumerisme Budaya Musik dalam Tren Lagu Mas Dho: Analisis Teori Kritis Mazhab Frankfurt dan Perspektif Islam by Naila Niswatul Karimah, Arina Sabilal Muna, Saidah Saidah, A. Zahid

    Published 2025-02-01
    “…In this light, the study invites a rethinking of how cultural products should foster moral consciousness rather than serve solely as instruments of capitalist commodification.…”
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