A Comparative Study of the Motives of KHAT in the poetical works of Naziri and collection of lyric poems of Saâeb by عصمت اسماعیلی

“…The key words of meaning construction, which get situated in the centre of language and communication network, and associated with the concept of language and vocabulary, while using parallelism and the narrow sense of the poet, lead to a very effective lyric discussion with the audience, especially in the lyric type of poems. …”
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Tension in Modernist Art and Lyric Poetry at the Beginning of the 20th Century in Estonian Culture: Ernst Enno and Others by Anneli Mihkelev

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Istoria literaturii române contemporane: o teorie implicită a romanului by Ana-Maria Bănică

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HYMNS OF REPENTANCE IN THE WORSHIP PRACTICE OF THE REFORMED CHURCH OF TRANSYLVANIA by Éva PÉTER

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"The / profile of a city / exploding": Frank O’Hara’s Aesthetics of Shock by Olivier Brossard

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La poésie lyrique, un outil d’unification linguistique et politique by Anne-Marie Le Baillif

“…This would be today a sort of ‘enterprise of communication’. It was never done before. Ronsard was required, as a spokesman, to follow the huge royal caravan, contributing to the development of words and new forms of lyric poetry. …”
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Decoration, Deviation, and the Selected Edition: Some Poems of Lionel Johnson (1912) by Jeremy Valentine Freeman

“…This essay argues that this kind of strategic revision of late-Victorian lyricism, decoration, and ritualized poetics does not merely function in relation to decorative publishing practices of the fin de siècle or as a denial of Johnson’s aesthetic sensibilities but that it points to a broader cultural criticism of Victorian aesthetic excess and of mid- to late-Victorian aesthetic ideology.…”
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De la voix au théâtre au théâtre de la voix : l’envers du décor poétique de Robert Browning by Yann Tholoniat

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Geo Bogza – lecţia de libertate şi poetica exasperării by Loredana Opăriuc

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Allaiter de sang le poème. la légende roumaine de Maître Manole chez Benjamin Fondane et Paul Celan by Gisèle Vanhese

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„Dimineaţa poeticească” a lui Ioan Cantacuzino (1757–1828) by Eugen Simion

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Arrêt sur image et premier plan absolu dans les poèmes homériques de Michael Longley by Melanie White

“…He explains his creative process thus: “From the outset, in my Homeric poems I pushed against the narrative momentum and ‘freeze-framed’ passages to release their lyric potential.” This freeze-framing creates a magnifying effect, which places each action accomplished by the epic protagonist on an absolute foreground without any wider perspective, as if each of these actions took place before the reader’s eyes, in a form of immediacy which reinforces the characteristics of the Homeric present as defined by Erich Auerbach in Mimesis. …”
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Une éducation sentimentale ou le roman d’amour de Salammbô by Geneviève Mondon

“…The unpublished passages, the margins and interlinear additions contribute precious elements to the construction of the heroine’s love story and give it a more erotic tone, before Flaubert deletes, transforms or skillfully conceals these fugitive traces.  …”
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Handbag de Mark Ravenhill (1998) : réincarnation de The Importance of Being Earnest à la fin des années 1990 by Xavier Giudicelli

“…This article focuses on a version of The Importance of Being Earnest which, paradoxically, brings the body centre-stage. The play Handbag by Mark Ravenhill (one of the quintessential writers of so-called “in-yer-face” theatre), first produced at the Lyric Theatre, Hammersmith, in 1998, is a rewriting of The Importance of Being Earnest which shifts the emphasis from the verbal to the physical. …”
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Context-Related Melodies in Oral Culture: An Attempt to Describe Words-and-Music Relationships in Local Singing Tradition by Taive Särg

“…In oral folk song traditions we often find many lyrics, but not nearly as many melodies. The terms “polyfunctionalism”, “group melodies” or “general melodies” have been used by Estonian researches to indicate the phenomenon that many lyrics were sung to only one, or a small handful, of tunes. …”
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Towards Transformation of the Nigerian Youths: The Place of Yoruba Popular Music by Kayode Olusola

“…This paper concludes that the Nigerian government should use appropriate agencies like the National Film and Records Censor Board and Nigerian Copyright Council to prevent music that contains lyrics that can encourage violence and criminal acts circulated into Nigerian markets. …”
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Furnishing Nature: Textile Materiality and the Victorian Home in Alfred Hayes’s The Vale of Arden and Other Poems (1895) by Stefanie John

“…It links Hayes’s use of poetic form and imagery to late Victorian understandings of organicism in Arts and Crafts design and home decoration. At the centre of the article will be a close reading of Hayes’s poem ‘My Study’. …”
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Rock Music and The Political Scripting of Vietnam War: Reading Dispatches by Michael Herr by Lalit Kumar

“…The Vietnam War significantly influenced music production across genres, including the adoption of rock music by South Vietnamese bands, as observed by David James. …”
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Nightingale Garden near the Sea: on the Question of Akhmatov’s Intertext in A. Blok’s poem Nightingale Garden by Tatiana Pakhareva

“…The article reveals numerous overlaps with the lyrics of Evening and Rosary mainly in draft versions of Blok’s poem, as well as some parallels with Akhmatova’s poem Near the Sea, created simultaneously with Nightingale Garden and published six months before the end of Blok’s work on his poem. …”
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Utilidad de la música en la preparación psicólogica de los deportistas / Usefulness of Music in the Psychological Preparation of Athletes by Francisco Enrique García-Ucha, Leopoldo Ferrer-Maldonado

“…It was found that music is an important element for regulation of emotional states before competitions. The results show the complexity of the methods for selecting music, as well as the instruments for assessing their impact. …”
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