Modeling dynamics on the dance floor with directional swarmalators by Petri Toiviainen, Petri Toiviainen, Joshua S. Bamford, Joshua S. Bamford, Joshua S. Bamford, Marc R. Thompson, Marc R. Thompson

“…The model is initially tested against motion capture recordings of two groups dancing in a silent disco, however, it is theoretically adaptable to a variety of scenarios, including varying group sizes, adjustable degrees of auditory and visual coupling, as well as modifiable interaction ranges, making it a generic tool for exploring collective behavior in musical settings. The development of the directional swarmalator model contributes to understanding social dynamics in shared music and dance experiences.…”
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De l’apport du folk music revival au renouveau de l’accordéon diatonique en France et en Italie by Raffaele Pinelli

“…Thanks to the initiative of a number of musicians and instrument makers in both countries, the bellows instrument gradually came to the attention of the widest possible audience, evolving from a 'prototype' intended for the performance of repertoires of music in the oral tradition to an instrument in its own right, inspiring original music now composed for it. …”
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Analysis of Lexical Balance in Sana'i Sonnets by Omalbanin Nikkhahe noori, Mostafa Salari, Behroz Romiyani

“…Moreover, Sana'i promotes his poetic music through using mid-rhymes and full phonetic repetitions, so while reading the poems, the readers feel such dynamics and mobility throughout the poem. …”
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Perverses promiscuités ? Bains publics et cafés-concerts parisiens au second XIXe siècle by Lise Manin

“…In late 19th century Paris, bath houses and music-halls were reputed to be places where debauchery, prostitution, and offences against public decency were frequent. …”
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Les dynamiques raciales de la production de Michael Jackson (1979-2001) : aspects commerciaux, musicaux et visuels by Isabelle Stegner-Petitjean

“…The second part analyzes the stylistic eclecticism of Jackson’s pop music and the way he uses the conventions from musical and racial categorization. …”
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Décalage et déséquilibre dans la peinture contemporaine de la Nouvelle-Orléans by Hélène GAILLARD

“…The depiction of the city as an unsteady, dynamic, marginal entity corresponds to the wavy topography of the town but is also the visual translation of its musical heritage. …”
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La musicothérapie en contexte de COVID-19 : quelles adaptations et dans quelles dynamiques communicationnelles ? by Nathalie Verdier, Mikael Genguelou, Emilie Tromeur-Navaresi

“…In this article, we study the adaptation of some remote music therapy practices that were implemented during the COVID-19 confinement in two establishments: the first from the medico-social sector, the second from the medico-educative sector. …”
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Feature derivation and classification of auditory-motor coupling dynamics in healthy and neurologically impaired adults. by Muhammad Bergas Nur Fayyad, Joeri R Verbiest, Anna Ivanova, Mario Manto, Lousin Moumdjian

“…We propose a methodological solution to quantify the dynamics of the step-to-beat coupling over time within an experimental paradigm where healthy (n = 7) and neurological impaired (n = 6) participants walk three minutes to music and metronomes at various tempi. …”
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Stress dynamics between clinical supervisors and allied health students: a scoping review protocol by Yongsheng Wang, XinRong Li, Piao Wang, Laurie Peebles, Aine O'Connor

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“… because there is nothing symbolic in the described phenomenon”. Asafyev’s Intonation Theory in the Early Soviet Union – Analytical Insights, Intellectual Contexts, and Semiotic... by Patrick Becker-Naydenov

“…Asafyev (1884–1949) in 1920s European musicology and music theory. Based on the underlying principles of Asafyev’s intonation theory “contrast and repetition,” etc.) and its analytical insights into cadence models, Western scholars have often read it as a continuation of the energeticism and dynamism proposed by August Halm and especially Ernst Kurth. …”
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Une expérience pédagogique musicale en Grande Section Maternelle et Cours Préparatoire by Marie-Renée Guilloret

“…During a learning experience which took place first in a nursery, and then in a primary school, pupils have composed their own pieces of music. We are asking about the nature of the processes used. …”
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CÉSAR FRANCK’S GRANDE PIÈCE SIMPHONIQUE OP. 17 AN ANALYSIS FROM THE PERFORMER’S POINT OF VIEW by Noémi MIKLÓS

“…In order to realize a proper performance of this monumental work it is necessary to run through a series of structural, technical and performance issues which are essential in the process of understanding Franck’s organ music. The following analysis is structured in two main parts: the first part discusses the form of the work emphasising its main structural sections, whilst the second part handles the performance and the technical problems regarding articulation, dynamics, tempo and style. …”
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Des/re-territorialización de prácticas musicales afrocubanas: compositores académicos cubanos de la diáspora de finales del siglo XX y principios del XXI by Iván César Morales Flores

“…For this, we turn our attention to the dynamics of des/re-territorialization music-identities that reveal their compositional discourses, seen here as an expression of simultaneous processes of continuity, rupture, miscegenation and transfers of cultural knowledge. …”
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Impact of expressive intentions on upper-body kinematics in two expert pianists by Craig Turner, Robin Mailly, Fabien Dal Maso, Felipe Verdugo

“…IntroductionExpression is a key aspect of music performance. Studies on pianists’ gestures and expression have mainly documented the impact of their expressive intentions on proximal segments and head linear kinematics. …”
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Beyond the screen: Exploring the dynamics of social media influencers, digital food marketing, and gendered influences on adolescent diets. by Ashley Amson, Mariangela Bagnato, Lauren Remedios, Meghan Pritchard, Soulene Sabir, Grace Gillis, Elise Pauzé, Christine White, Lana Vanderlee, David Hammond, Monique Potvin Kent

“…Marketing techniques varied: influencers popular with females used songs or music (53% vs 26%), other influencers (26% vs 11%), appeals to fun or coolness (26% vs 13%), viral marketing (29% vs 19%), and appeals to beauty (11% vs 0%) more commonly. …”
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Identifikasi Nada antara Suling Sunda dan Suling Rekorder dengan Menggunakan Metode Frequency Cpstral Coefficients (MFCC) dan Dynamic Time Warping (DTW) by Fawwaz Muhammad Suryadikarsa, Youllia Indrawaty Nurhasanah, Irma Amelia Dewi

“…Abstract Flute is a musical instrument commonly used by music players or public people. …”
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Das Menschliche in der Musik . August Halms prozessuale Metaphorik im Brennpunkt analysetheoretischer Fragestellungen by Astrid Bolay

“…Music theorist August Halm, on the other hand, developed a rich and vivid vocabulary precisely for the expressive, dynamic, and processual qualities of music. …”
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Research of organisation specifics of shooting process in the creation of an audiovisual product by Yu. V. Vorontsova, A. Yu. Mazur

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Zum Verhältnis von Harmonik und Instrumentation ›vor Wagner‹ by Michael Polth

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The Dimensional Structure of Tourism Festival and Special Event Innovation and Their Impacts on Tourists’ Behavioral Intentions by Chaojun Li, Ping He

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