Violence and Non-Violence at Rock Concerts: 1970s French Society Confronted With Its Contradictions by Joann Élart

“…The contradiction was not lost on the journalists of the time, who repeatedly noticed the apathetic, intellectual audiences who attended concerts by bands like Soft Machine. A completely different atmosphere reigned at Johnny Hallyday’s shows, which attracted a fringe group of aggressive, rebellious roughnecks and led to the implementation of considerable security measures to protect the idol. …”
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Violence et non-violence dans les concerts rock ou la société française des années 1970 face à ses contradictions by Joann Élart

“…The contradiction was not lost on the journalists of the time, who repeatedly noticed the apathetic, intellectual audiences who attended concerts by bands like Soft Machine. A completely different atmosphere reigned at Johnny Hallyday’s shows, which attracted a fringe group of aggressive, rebellious roughnecks and led to the implementation of considerable security measures to protect the idol. …”
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Ronnie James Dio: the man on the silver mountain by Joe Weber

“…Under this name he became an iconic hard rock vocalist, performing with numerous bands including Rainbow (1974–1979), Black Sabbath (1979–1982, 1992, and 2006–2010), and his own band Dio (1982–2004). …”
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Modulation of the Nernst Thermoelectrics by Regulating the Anomalous Hall and Nernst Angles by Meng Lyu, Junyan Liu, Jianlei Shen, Shen Zhang, Yang Liu, Jinying Yang, Yibo Wang, Yiting Feng, Binbin Wang, Hongxiang Wei, Enke Liu

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Expérimenter et documenter le live sur les plateformes : les pratiques des fans du groupe Indochine by Laure Bolka-Tabary

“…Based on an ethnosemiotic study of two concerts broadcast in livestream in 2019 and 2020 by the Indochine music band, we observe how fans express themselves about live performances and how they document them on Twitter and Instagram. …”
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« Pieds Noirs Rythmes : un orchestre de détenus OAS dans le “Sing-Sing” français » by Jean-Claude Vimont

“…Several prisoners created an orchestra which they called the « Pieds Noirs Rythmes » (as « Pieds Noirs » refers to French settlers in Algeria, who had to « return » to mainland France after the 1962 Algerian independence). They gave a few concerts and played at some evening parties. It is thanks to photographies secretly taken by one the prisoners, Armand Belvisi, that this forgotten band has recently been brought back to our memories.…”
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