Showing 1 - 9 results of 9 for search 'comic fantasy', query time: 0.04s Refine Results
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    Dragons, witches, and sorcerers in the advocacy space of national mythology [Review: Breeva Т.N., Khabibullina L.F. 'Russian Myth' in Slavic Fantasy. Moscow, Flinta, 2016] by O.E. Osovskiy

    Published 2017-06-01
    “…The distinctive typology of different fantasy types, from heroic and legendary to comic, has been elaborated. …”
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    Interviews with multimedia comics creators—how Hannah Berry, Lance Dann and Tom McNally use audio drama to move their work into new areas of storytelling by Alex Fitch

    Published 2024-11-01
    “…This contribution includes a pair of interviews recorded with practitioners who work in comics, and audio drama production. These practitioners have moved from the practice of making comics into audio production or have lent their experience in comic creation to making related podcast dramas.In the first interview, former comic book writer Tom McNally, editor and publisher of the comics anthology Semiotic Cohesion [2006-2008], which promoted work by comic creators from South Africa to a wider audience, talks about his comedic fantasy audio drama Saga of the European King. …”
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    Parallel Universes? Alison Bechdel’s Dykes to Watch Out For (1983-2008) and Diane DiMassa’s Hothead Paisan: Homicidal Lesbian Terrorist (1991-1996) by Hélène Tison

    Published 2023-06-01
    “…For all their provocation and humor, these comics from the margins have remained eerily topical.…”
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    L’Humpur en BD : de fabuleuses frontières by Florence Plet-Nicolas

    Published 2019-06-01
    “…In 2013, Soleil productions, specialized in fantasy comics, published Les Fables de l’Humpur by Pierre Bordage (scripter) and Olivier Roman (cartoonist), adapted from Bordage’s novel (1999). …”
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    Thrown to the (Were)Wolves: Sisterhood, Vengeance, and Liberal Feminism in Maggie Tokuda-Hall and Lisa Sterle’s <i>Squad</i> by Jessica Caravaggio

    Published 2025-01-01
    “…Through an analysis of the figure of the werewolf and fantasies of revenge, this article suggests that both <i>Squad</i>’s narrative and its comic images guide readers toward an understanding of how liberal feminist ideology impedes collective empowerment. …”
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