Hybrid TV Comedy Genres-The Case of Comedy Panel Shows by Alexander Brock

Subjects: “…comedy panel show…”
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“His Comedie unto his Theatre”: Genre in the Early Modern Dramatic Epilogue by Emily Smith

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Les génériques et incipits des « comédies historiques » italiennes (1959-1963) : un défi de composition by Stefano Leoncini

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Mettre en scène les codes du genre : artifice et théâtralité dans la comédie musicale hollywoodienne classique by Anne Martina

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Amateurs de comédie musicale hollywoodienne sur Internet : renouvellement d’un genre classique par les pratiques spectatorielles de l’ère numérique by Fanny Beure

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Pericles' character in Old Attic comedy by O.A. Rykantsova

“…Despite the subjectivity of the comic genre, comedy allows us to imagine more vividly Pericles’ character reflected in the writings of historians, in “The History” by Thucydides in particular. …”
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'They Lived Happily Ever After': Ending Contemporary Romantic Comedy by Celestino Deleyto Alcalá

“…As part of a broader research on contemporary developments in romantic comedy, I sketch here five aspects of romantic relationships in which the endings of recent examples of the genre show awareness of social developments: the lonely romantic hero/-ine, the uneasiness about the durability of the couple, the nostalgia for a more innocent past, the impact of changing gender roles both socially and sexually, and the visibility of different gender permutations in intimate relationships. …”
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Hannah Gadsby: Emotional Capital and Affective Economies in Stand-Up Comedy by Beck Krefting

“…Comics attuned to patterns of comedy patronage understand that they are selling entertainment as well as an emotional experience and learn to comply with affective dictates of this performance genre. …”
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Puertas y umbrales: los espacios cerrados como iconos pluriformes en la dramaturgia de Calderón de la Barca by Juan Manuel Escudero Baztán

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‘Laugh a defiance, Laugh in hope’: Suffrage Comedy and Humour as Political Protest by Eleanor Stewart

“…Within the ritualized framework of the comic genre, the suffrage dramatists use self-derision to provoke empathy and encourage derisory laughter towards their detractors. …”
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Interpellation et enjeux de pouvoir dans les comédies et tragédies latines by Sophie Roesch

“…Depending on the literary genre, they have different uses. As far as the comedy is concerned, the address terms are especially efficient regarding the progress of the plot since they give the speaker a way to influence the addressee’s actions. …”
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Aspects linguistiques du stéréotype de l’Allemand dans les comédies françaises des années 1960 by Nedjma Moussaoui

“…Comedy exaggerates, and its comical dimension is often strongly rooted in geography: that is why comedy, as a genre, is widely open to hosting national stereotypes of foreigners. …”
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Revisiting the narrative theory of genres: Critiquing Jürgen Habermas's Communicative Action by Singh Sharanpal, Goyal Shilpi

“…This approach emphasises the centrality of narratives while integrating elements like comedy, tragedy, irony, and romance, as suggested by Frye. …”
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О интерсемиотической передаче комического в аудиодескрипции к советским кинокомедиям by Maria Mocarz-Kleindienst

“…The language of the AD should be appropriate to the genre of the film lexically and stylistically. This means that the language of AD in film comedies should contain some verbal ‘signals’ of the comic as an aesthetic category. …”
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La Commedia in giallo : tre esempi di riscritture dantesche by Giulio Genovese

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Parodies de dandies : travestissement et transgression des genres au music-hall by Catherine Rovera

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A Critique of Exaggerated Libertinism in Thomas Shadwell’s The Libertine by Şafak Horzum

“…Secondly, it will set out to explore the play’s position in terms of its exemplary nature in the genre of comedy of manners. Last but not least, libertinism and its characteristics will be analysed through their illustration in the play by means of male characters, particularly Don John, the protagonist. …”
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Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной by Natalia Maliutina

“…Distinguishing between the manifestations of situational and semantic comedy and humour the article shows how the humorous tone of the character’s remarks changes the overall genre tone of the comedy. …”
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How Tourism Imaginary has been Updated in the New Spanish Sun-and-Beach Comedy: Fin de curso, Atasco en la nacional and Benidorm, mon amour by Salvador Martínez Puche, Antonio Martínez Puche

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Reading “Guillelme l’Amïable”: Hypertextuality and La Prise d’Orange by Lucas Wood

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