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    Le canard était toujours vivant ! De Troppmann à Weidmann, la fin des complaintes criminelles, 1870-1939 by Jean-François “Maxou” Heintzen

    Published 2013-11-01
    “…With a corpus of mainly provincial broadsheets we examine the evolution of the lament paper copy, of its underlying melody, of its style and content, and also of its publishing and trading. So we will follow the art of “singing the crime” over a half-century, from the lament to the “realistic song with a criminal character”, from the crime of Pantin to the latest “serial killer” of the interwar period.…”
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