Stefan Prey, Algorithmen zur Satztechnik und ihre Anwendung auf die Analyse, Phil. Diss., Universität Osnabrück 2012 Immanuel Ott, Methoden der Kanonkomposition bei Josquin Des Pr... by Michael Polth

Subjects: “…teaching music theory…”
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Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto by Eduardo Valls Oyarzun

“…The status of George Bernard Shaw as an opera critic—a position he filled under the pen-name ‘Corno Di Bassetto’ in different periodicals such as The Star and The World—has been somewhat overlooked in the canon of late Victorian journalism. However, his critique of the 1880–1890 opera performances stands alone in its own right as the most influential early modern critical discourse on music drama in the British milieu. …”
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Rehabilitation Technical Standard of "WU YIN TIAO SHEN （Five-Element Music Regulates Emotions）" by LI Li, ZHOU Xia, WANG Qin, MA Yuxia, SONG Jingjie, QIN Zhaomei

“…Since the advent of "Huangdi Neijing (Inner Canon of Huangdi)", the five-element music has been an important method for treating diseases, especially emotional disorders. …”
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Renegotiating the Borders of National Culture: Polish Émigré Composers and National Music Histories in the Twentieth Century by Lisa Cooper Vest

“…The conveners seek to reintroduce oft-omitted émigré artists into the canons of Polish national music history. In so doing, the volume serves as a successful and useful tool, introducing readers to new repertoire and inviting them to pose complex questions about the various motivations and effects of artists’ cultural mobility. …”
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“I Put Myself Back in the Narrative”: Hamilton as Founders Fanfiction by Jeremy Brett

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AN EVOCATION OF ION VIDU 150 YEARS AFTER HIS BIRTH. HIS ACTIVITY AS A COMPOSER AND A CONDUCTOR by Ion-Alexandru ARDEREANU

“…A memorable figure of the musical scene from Banat, the founder and promoter of the Orthodox choral movement for which Banat is known even internationally, Ion Vidu can righteously be defined as a most complex cultural personality whose legacy entitles him to be called a canonical composer for the history of the Romanian choral music and a remarkable conductor, teacher, publicist and organizer of the cultural life in Banat in general and of the choral movement in the same area in particular. …”
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Kombination und Rekombination in der Renaissance by Immanuel Ott

“…A distinctive feature of the music of the 15th and 16th centuries is the use of pre-existent music as the basis or starting point for a new composition. …”
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Improved CPD based DOA estimation of nested array by Sibei CHENG, Xiao LUO, Bochou JIANG, Yuting WANG, Huanyu WU

“…In order to avoid searching the peak value in space domain, when estimating nested array’s the direction of direction of arrival(DOA), the canonical polyadic decomposition(CPD) was applied into the nested array, namely using the one time singular value decomposition(SVD), bilinear mapping and tensor decomposition to obtain the steering vector matrix and arrival angle.However, the existing CPD algorithm only can be applied in noiseless environment, the algorithm was improved by utilizing SVD two times, and was made to be applied in both noiseless and noisy environments.The simulation results demonstrate that in the same signal to noise ratio(SNR) and snapshot, the DOA estimation algorithm of nested array based on the improved CPD has better performances and less running time than the MUSIC and space smoothing algorithms.…”
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Le choro, musique métisse et originelle : transferts culturels, hybridations et identité culturelle nationale au Brésil (1870-1930) by Alice Boccara

“…From the premises of the apparition of the genre (at the end of the 19th century) to the 1930s when the choro had already become a musical genre on its own with its fixed canon and repertoire: within this historical frame, the purpose of this article is to articulate a musicological view (about the questions concerning the dialectical relationship between the fixation of the generic boarders of the genre and its capacity to integrate and to influence new genres and musical languages), along with a historical view about the question of miscegenation and the social valorization of this notion in Brazil. …”
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La suite La folía argentina. Un encuentro entre el legado hispano y la música folklórica argentina by Antonio Nicolás Tolaba, Leonardo Giamminola

“…El presente trabajo busca resignificar el esquema armónico-melódico denominado folía dentro de los cánones de las danzas argentinas y sus géneros musicales, contrastando formas y parámetros sonoros a partir de un análisis del repertorio de ambos universos musicales. …”
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The evolution of historical forms of chinese theater and integration of visual arts by HAN LIN

“… China's national musical theater emphasizes its uniqueness and close connection with China's cultural and philosophical traditions. …”
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Sposobin Remains. A Soviet Harmony Textbook’s Twisted Fate in China by Wai Ling Cheong, Ding Hong

“…The book soon attained canonic status in China and has been used in virtually all Chinese music institutions up to the present day. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Armed with silence and the weight of the unsaid, tucker green carves a musical score haunted by ghost melodies produced by compositional techniques akin to musical counterpoint, arpeggios and the canon. …”
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Factor de riesgo suicida según dos cuestionarios, y factores asociados en estudiantes de la universidad nacional de Colombia sede Manizales by José Jaime Castaño Castrillón, Sandra Constanza Cañón, Marcela Betancur Betancur, Paula Lorena Castellanos Sánchez, Johanna Guerrero González, Alejandra Gallego Rivas, Catalina Llanos Calderón

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Texts by Petrus Wilhelmi de Grudencz in the context of the late medieval ars poetriae by Bartosz Awianowicz

“…In his work, Eberhard of Bremen offers a clear categorization of poetry into poesis metrica based on Classical poetic metres, poesis rithmica or rigmica based on rhyme and rhythm, and a less restricted form of sacred music, known as prosa. Among Petrus Wilhelmi’s 22 compositions (with an acrostic of his name) published by Jaromír Černy, and a dozen or so others identified during the last two decades only two – the composition Presulis eminenciam (I/1), which opens Černý’s edition, and canon (rotulum) Pneuma erumpnosi telluris rei – can be classified as rhythmicized prose from the perspective of the medieval ars poetriae. …”
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The Rape of Lucretia, premier « opéra anglais » de Britten ?  by Gilles Couderc

“…As Britten’s first chamber opera and the only one that retells a story from Roman Antiquity it stands apart in the Britten canon. But the collaboration of designer John Piper for the scenery and of Ronald Duncan for the libretto, the resort to dramatic verse, the borrowings from Blake, Donne and Shakespeare, as well as the musical references to English oratorio and Purcell and to Britten’s own personal questioning contribute to making it Britten’s first “English opera”.…”
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“Kyrie paschale” in Polish Organ Tablatures from the First Half of the 16th Century – Problems of Style and Attribution by Grzegorz Kos

“… This article is devoted to an analysis of the intabulations of the ‘Kyrie paschale’ preserved in the so-called Lublin Tablature and in an organ tablature from the monastery of the Canons Regular of the Holy Ghost in Cracow. The intabulations are arrangements of consecutive sections of the plainchant melody Kyrie ‘Lux et origo’ and constitute sequences of segments (or modules) of a Mass in which organ music alternates with plainchant. …”
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Llegó rápido, vivió intensamente y murió joven. La primera ola punk en España (1975-1979): recepción social y cultural by David Mota-Zurdo, Sergio Cañas-Díez

“…En beneficio del tema tratado, hemos fragmentado artificialmente la cronología, huyendo de los cánones marcados por la historia política española, y, de ese modo, prima una óptica cultural. …”
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