L’anatomie du cheval aux XVIIIe et XIXe siècles : un outil pour mieux représenter le cheval by Christophe Degueurce

“…Subsequently, scientific knowledge inspired the artists. The approach of Antoine-François Vincent, who was both artist and anatomist, is evidence of the desire to create strong links between the two milieux, driven by the same intentions, namely to produce, breed or represent an animal that was as perfect as possible. …”
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« Effets-tableaux » et parergon dans Macbeth Meeting the Three Witches par Francesco Zuccarelli et par Henry Füssli d’après Macbeth by Nathalie Padilla

“…The paper compares the interpretations offered by Henry Fuseli and Francesco Zuccarelli who were both foreign artists belonging to the Royal Academy of London. …”
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Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé by Alain Vaillant

“…Flaubert, as we all know, is the artist of impersonality, of the elocutionary disappearance of the novelist. …”
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Escritura publicitaria en el tránsito entre el medievo y la modernidad by Alejandro García Morilla

“…Hence, it has been the mechanism used, among others, by artists and sculptors to accompany their iconographic programs with the intention of completing them and offering greater communicative depth than that which can be achieved solely with images. …”
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From Painting to Picturebook: Bhajju Shyam’s Insider Indigenous Art by Indraprastha University, India

“…My research uses literary and visual analysis of the picturebooks, as well ethnographic interviews with the Adivasi artists, to explore artistic agency exercised in the illustration of picturebooks. …”
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The Architectural Photomontages of Piero Bottoni by Fabio Colonnese

“…Passionate about photography and cinema, Bottoni used these techniques for different purposes, not least their latent political and subversive potential, which was already implicit in the work of the artistic avant-gardes. In this sense, the analysis of some of his photomontages, which are today preserved in the Archivio Piero Bottoni (APB) at the Milan Polytechnic, reveals both his intent to introduce an anti-academic, ironic and realistic language, as well as the importance of cinema as an original source for architectural communication. …”
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Oscar Wilde and la critique impressionniste by Richard Hibbitt

“…It shows how Wilde’s views of criticism in the essays collected in Intentions are prefigured by Anatole France and Jules Lemaître, and how the dialogic discussion of art in ‘The Critic as Artist’ itself prefigures a real-life debate between France and the conservative critic Ferdinand Brunetière, who rejected the ‘subjective’ approach as ‘impressionist criticism’. …”
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Conservation problems with paintings containing fluorescent layers of paint by Stefanie De Winter

“…Every material needs to be researched individually so the exact intention of the artist can be preserved for a (relatively) long period. …”
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Photographie et maquette chez Le Corbusier. Dialogues entre la création et la diffusion. by Miguel-Angel de La Cova

“…At the same time, the object itself emerges as a work of art, creating a dialogue that goes beyond simulation boundaries and that delves into artistic discourse.…”
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Embracing and Rejecting the Ruskinian Heritage in Wilde’s Aesthetic Theories by Carole Delhorme

“…He highlighted the importance of beauty in the artist’s environment, asserted the link between beauty and utility, and put forward the social mission of art. …”
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« Leprous literature » : le modèle de la transmission contesté par les théories esthétiques d’Oscar Wilde by Carole Delhorme

“…The morality of a work, as well as the legal and moral responsibility of the artist, could therefore be judged based on the influence that the work could exert on the reader. …”
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By the time you read this it is already too late by Theron Schmidt

“…Or it may take the form of an intentional or habitual performativity, generating the conditions which it purports to describe (Butler 2015; Paavolainen 2018). …”
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Photographie et écologie aux États-Unis: l’image à contre-emploi by François Brunet

“…This article seeks to assess the role(s) that photographs, in and of themselves, have played in these artistic-militant enterprises; and to contrast them with the role of discourses (of artists, historians, critics, and so on) in setting forth political contents or intentions that the works themselves have reflected only ambiguously or even, sometimes, flatly contradicted. …”
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Les réseaux des académies et des écoles d’art en Europe méridionale (1740-1820) : projet et perspectives de recherche by Émilie Roffidal

“…Beyond their hybrid character, these institutions have in common the same founding intention which opens the way to a wide study on this new phenomenon of creation and development of artistic training centers since 1740s. …”
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Co-evoluzione nel rapporto tra creazione artistica e intelligenza artificiale. Sull’utilizzo specifico di “I Question”, “MADI” e “SIA” by Kim JaeMin

“…These projects highlight AI’s role as a co-creator, raising questions about meaning and intentionality in the creative process. The collaboration between AI and art opens new perspectives in the understanding and diversification of artistic production, expanding the realm of art beyond traditional boundaries.…”
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Dynamika obrazowania w przekładach Jerozolimy Wyzwolonej Piotra Kochanowskiego i Ludwika Kamińskiego – analiza wybranych fragmentów eposu by Bartosz Głowacki

“…Based on a comparative analysis, differences in the artistic solutions used by translators are discussed. …”
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Quand la montagne fait œuvre d’art : Arte Sella et les transformations d’un espace alpin en déclin by Giovanni Sechi

“…This article will suggest answers to these questions on the basis of a case study of Arte Sella, an evolving artistic approach that has a strong bond with the Sella Valley in the north of Italy. …”
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When the Mountain Becomes a Work of Art: Arte Sella and the Transformation of an Alpine Space in Decline by Giovanni Sechi

“…This article will suggest answers to these questions on the basis of a case study of Arte Sella, an evolving artistic approach that has a strong bond with the Sella Valley in the north of Italy. …”
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A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts by Courtney C. Walton, James N. Kirby, Sabrina McKenzie, Sabrina McKenzie, Caroline X. Gao, Caroline X. Gao, Rosemary Purcell, Rosemary Purcell, Simon M. Rice, Simon M. Rice, Margaret S. Osborne, Margaret S. Osborne

“…ObjectivesVery little is known about the role of self-compassion on performing artists’ mental health. This project had two primary aims. …”
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Dépossessions : le rôle de la chorégraphie dans A Dance of the Forests et The Bacchae of Euripides de Wole Soyinka by Kerry-Jane Wallart

“…This paper scrutinizes the part played by dancing in two plays by Soyinka where such an artistic practice is rather foregrounded. I shall attempt to understand how theatre might be reinforced by dancing, an immediate, a corporeal art, the intrusion of a dramaturgy that is freed from the text. …”
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