The Artist’s Intent in Flux by Rebecca Gordon, Erma Hermens

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De l’intention de l’artiste à l’effet de l’œuvre. Changer l’approche en conservation ? by Muriel Verbeeck

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The Contemporary Artwork Between Meaning and Cultural Identity by Paolo Martore

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Artists in Resi/stance by Volker Küster

“… Artists are often at the forefront of protest movements. …”
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Salvador Muñoz-Viñas, On the Ethics of Cultural Heritage Conservation.

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Framing Colonial Australia: A Socio-historical Articulation of the Display of Art by Anita Gowers

“…Remarkably, Australian art historians have published little on frames of Australian colonial artists and more specifically the framing intentions of the artists themselves. …”
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Artistic creation as a path to immersion in literature: on the example of excerpts from texts with the theme of the Shoah by Milan Mašát

“…In this article, I present current methods which, in the context of the current knowledge of the didactics of literature, are supposed to lead readers to the text itself and which, in a certain way, through their own artistic (literary) creation, are supposed to introduce them to the issue of literature. …”
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Pour un geste du préalable, lorsque l’intention se fait forme by Mélanie Perrier

“…À travers trois dispositifs de partitions (Tool Box, projet porté par Entre deux, la Tool Box du chorégraphe Thomas Lehmenn, revue Véhicule) il sera ici question de la partition considérée non plus comme notation de l’existant, ou à suivre, mais comme processus de création.Véritable système de création, entre scénario et dispositif, les partitions artistiques et chorégraphiques donnent une nouvelle place à la structure, rendant visible ou objectivant un système préalable de création.Le geste qui persiste de l’artiste n’est plus le fruit d’une action technique spécifique, mais bien la publicité de son intention préalable, symptôme d’une éthique de la « déproduction » pour bon nombre de pratiques artistiques contemporaines.…”
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Four Japanese in Search of Henry Miller by Wayne E. Arnold

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RADIO PLAYS AS A SPECIAL GENRE IN THE WORK OF E. JELINEK by Tatiana V. Akasheva, Alexandra D. Zharkova

“…Elinek of the early period and highlight their main themes and stylistic features of the text, allowing to realize the intention of the author. Materials and methods. …”
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Les peintures mates d’Antoine Wiertz (1806-1865) by Karine Janssen

“…Faced with the works of Antoine Wiertz, a question arises: Is the washed-out and mat appearance of some of his paintings an artistic intent, or a consequence of alteration. Painted with a technique developed by the artist to achieve a matt appearance, these works are in fact subject to a slow degradation process. …”
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Le jardin, lieu esthétique d’un (dés)ordre humain : la naturalisation du politique et du littéraire chez Claude Simon et Patrick Chamoiseau by Hannes De Vriese

“…The gardener must negotiate a balance ; he does not present himself as a collector of plants to be arranged, but as an artist intent on achieving “relational aesthetics” (Bourriaud, 1998). …”
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A multisciplinary approach to the study and conservation of the contemporary Sarah Lucas’ papier-maché sculpture Love Me by Fabiola Rocco

“…The dialogue with the artist was necessary and helpful to understand the artist’s intention and the meaning of the oeuvre, in order to perform a conscious conservation treatment.…”
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The conservation treatment of a contemporary collaged sculpture by Jiří Kolář (1914-2002) by Jessica Crann

“…The ethical implications raised in conserving a contemporary artwork were an important aspect and subsequently an understanding of the materials and structure, the artist’s intentions, concept and meaning of the artwork formed a large part of the research. …”
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Interrogating Okooro Masquerade: A Structuralists Reading of the Costumes by Segun Omosule

“… There is a gulf between the script and the artist's intention when analyzing indigenous festivals. …”
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Trans Europe Express, study and restoration of a major artwork by Dorothée Selz by Marie Courseaux

“…The research determined the phenomena and factors of degradation, established appropriate treatment, respecting and documenting the  intentions of the artist, who has also participated in this restoration.…”
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Theoretical issues in the conservation of contemporary art by Rosario Llamas-Pacheco

“…Transformation has an impact on the artistic intention, therefore, and since it is impossible to avoid the change, a deep reflection is necessary on the concept of premature ruin. …”
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Trans Europe Express, étude et restauration d’une œuvre de Dorothée Selz by Marie Courseaux

“…The research determined the phenomena and factors of degradation, established appropriate treatment, respecting and documenting the intentions of the artist, who has also participated in this restoration.…”
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Abstract expressionism and its relationship to visual attraction In the designs of modern women's fabrics by Haider Hashim Mammuod Al – Husseini

“… In the midst of the technical and artistic acceleration that we witnessed in our modern world and its development among nations and people. …”
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La volonté politique de commémoration des morts appartient aux vivants by Audrey Rousseau

“…Frequently referred to as the "duty of memory,” the understanding of what has been done and what can be done, do not only require observing the presence of arranged material or analyzing the intentions of the creators. It also involves taking into account cultural transmission and memory process which engage the subject-spectator to the time of interpretation. …”
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