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The replicability of oncolytic virus: Defining conditions in tumor virotherapy
Published 2011-05-01Get full text
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Optimal Advertising Budget Allocation across Markets with Different Goals and Various Constraints
Published 2020-01-01Get full text
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386
A quadratic $$\nu $$ ν -support vector regression approach for load forecasting
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387
Transactions en eaux troubles : résurgences de la voix shakespearienne dans Moby-Dick
Published 2009-02-01“…This article explores the way Herman Melville appropriates William Shakespeare’s work in Moby-Dick. Its argument is that by defamiliarising some of Shakespeare’s lines—a corpus that was both alien and familiar to nineteenth-century writers— Melville turns them into his own idiom. …”
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Le “Written Speech” yeatsien et ses expressions scéniques
Published 2013-06-01“…After a first career, with his brother William, in the aera of popular irish theatre, he tried to apply in the Abbey the vocal training of the “french model”, from Coquelin to… Sarah Bernhardt, and the Paris Conservatoire. …”
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Nurse workforce change and metropolitan medically underserved areas in the United States
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391
Factors predicting PhD affirmation and regret in PhD holders
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Proton internal pressure from deeply virtual Compton scattering on collider kinematics
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Extrinsic mortality and senescence: a guide for the perplexed
Published 2023-03-01“…Here we provide heuristics as well as simple models that outline when the Williams prediction holds, why there is a ‘null model’ where extrinsic mortality does not change the evolution of senescence at all, and why it is also possible to expect the opposite of William’s prediction, where increased extrinsic mortality favours slower senescence. …”
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Melanocortin Peptide Therapy for the Treatment of Arthritic Pathologies
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Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton
Published 2017-11-01“…In the short period between 1837, when Queen Victoria came to the throne, and 1843, when the Theatre Regulation Act amended the Licensing Act of 1737 and thus reconfigured theatrical freedom and production in the United Kingdom, the fruitful collaboration of renowned novelist Edward Bulwer-Lytton and actor and theatrical manager William Charles Macready would prove to be decisive in shaping early Victorian drama and setting high standards in production and artistic integrity, which would be followed by successive managers. …”
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