Nancy Drew Revisited: Female Private Eyes in Contemporary American Fiction by Isabelle Roblin

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And science created… the virtual Woman by Élisabeth Marion, Yohan Trichet

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Tout est faux. Henry VIII de Shakespeare et Fletcher ou comment on falsifie l’histoire by Anne Teulade

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A produção de periferias urbanas em uma cidade do agronegócio e fronteiriça: o bairro do Passo - São Borja (rs) by Nola Patrícia Gamalho

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Point(s) d’écart chez E. E. Cummings by Penelope Sacks-Galey

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Rhapsodie et métamorphoses de la voix dans The War Plays d’Edward Bond by Eléonore Obis

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John Edgar Wideman, lecteur-archiviste de Frantz Fanon by Flora Valadié

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Is Something Taking Place in the Sketches from the Sierra de Tejeda by John Fuller? by Aurélien Saby

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The Violence of Hiroshima: Hersey, Bataille and Caruth by Jocelyn Dupont

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Open Your Eyes Wider: Overexposure in Contemporary American Film and TV Series by Monica Michlin

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B.S. Johnson ou l’équilibre de l’écart by Vanessa Guignery

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Le Remix comme forme littéraire : essai sur les publications récentes de Caroline Bergvall by Vincent Broqua

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Para o estudo de um direito senhorial nas terras medievais de Alcobaça: o montado dos porco by Iria Gonçalves

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What Place Takes Place in Jordan Abel’s The Place of Scraps ? by Claire Omhovère

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Comedy’s Double Negation of Meaning in Post-war European Theater by Anna Street

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An Eye for an Eye: Brian Evenson’s Merciless Art of Exposure by Jean-Yves Pellegrin

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Robert Duncan’s Big Poetry: Re-visioning the Common by Miriam Nichols

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La scène traumatique de Sarah Kane by Élisabeth Angel-Perez

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What Hitchcock Taught Us about Whodunnits by Dominique Sipière

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Port Sunlight, essai architectural et social by Laurence Machet

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