The Falklands War on the British Screen: Plural Memories of an Occulted War by Anne-Lise Marin-Lamellet

“…This anamnestic representation seems to show the difficulty there is in dealing with a controversial conflict from the winners’ side without appearing imperialistic, hence perhaps the choice to approach this conflict from the angle of psychological drama rather than war film. This filmography can be interpreted as a form of repentance for what is now often perceived as an upsurge of postcolonial hubris and raises the question of how to remember a war that is anything but heroic.…”
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Of an Apocalyptic Tone Recently Adopted in Theatre: British Drama, Violence and Writing by Dan Rebellato

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Le vers comme indice d'artificialité dans le théâtre de T.S. Eliot : The Confidential Clerk by Daniel Jean

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The Rewriting Process in Post-War Cities by Pina Ciotoli, Rosalba Belibani

“…The drama of reconstruction is, by its very nature, linked to numerous implications of the sphere of memory and the tangible and intangible aspects of perception and enjoyment of the city. …”
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“Me will homa to France and no be hanged in a strange country”: Comic French Villains in Late Elizabethan Drama by Charles Whitworth

“…Les personnages principaux que sont Pedro dans The Wounds of Civil War de Lodge et Jaques dans James IV de Greene sont traités différemment par les deux dramaturges. …”
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The Auto/biographical Nature of Ukrainian Women’s Literature on the War in Donbas by Anna Gaidash

“…In the close reading of Natal’ya Vorozhbit’s drama Bad Roads (2017), Yevgeniya Podobna’s book of stories and memoirs titled Girls Cutting Their Locks (2018), and Tamara Duda’s novel Daughter (2019), the author of the article examines the relations between subject and object of the Donbas war texts in the framework of their creation, auto/biographic nature, gender optics, and therapeutic effect. …”
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The School of Hawthorne: New England Women Writers after the Civil War by Marek Wilczyński

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Witnessing Trauma in Simon Stephens’ Motortown by Mesut Günenç

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The creative history of Naki Isanbet’s comedy “Red-haired chichyan and Black-haired beauty” by Zamaletdinov R.R., Khabutdinova M.M.

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Les poilus parlaient patois by Jean-Baptiste Martin

“…This wide range of texts (letters, poems, dramas, patriotic songs, prose) brings a new perspective on the Great War.…”
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Between France and Germany: René Schickele and “Geistiges Elsässertum” by Áine McGillicuddy

“…Schickele’s bicultural heritage and the turbulent times he lived through when Alsace was annexed to the Second German Empire, before returning to live under French rule after the traumatic experience of World War I, had a deep and lasting influence on him. …”
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Pink Stockings, Yellow Stockings: the Use of Pink-Yellow in Marston and Shakespeare by Anita BUTLER

“…Marston’s use of pink colour in extant drama of the period presents a curious incident in chromatic history: other dramatists do not use it until the mid 17th century. …”
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Corps mécanique et pensée-mouvement : les marionnettes animales de la Handspring Puppet Company by Noémie Lorentz

“…Exposed mechanisms, artificial life, animated objects: this paper aims to question the specificity of the medium at the heart of two performances: The chimp project (2000) and War Horse (2007). What does the staging of puppets entail regarding the question of porosity between the animal and the human? …”
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Commerce and Sentiment in Tales of Barbary Encounter: Cathcart, Barlow, Markoe, Tyler, and Rowson by Andrew S. Gross

“…A number of American sailors were taken hostage by Barbary Corsairs and held as slaves in North Africa in the years following the Revolutionary War.  The crisis would ultimately lead to open warfare, but many Americans were optimistic that international commerce and common sympathy might overcome religious differences.  …”
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Violence et vision : The Dynasts de Thomas Hardy by Laurence Estanove

“…The Dynasts, Thomas Hardy’s « epic-drama of the war with Napoleon, » is remarkable in its use of poetic and literary stage directions. …”
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Une promise pour la licorne : quand Denis Johnston crève l’horizon de la scène irlandaise by Virginie Girel-Pietka

“…Examining the way Johnston turned his back on the Aristotelian tradition so as to usher Modernism onto the stage, this paper aims at showing that the play was rather meant to open up new aesthetic prospects for the Irish drama of its time. In the wake of World War I and the worldwide Great Depression, mimesis was out of fashion. …”
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Shakespeare en prison : le cas d’Avignon by Florence March

“…It will first deal with the decisive encounter of Shakespeare’s drama with prison in Avignon’s Papal Palace in 1947 – an encounter that acts as a catalyst for the festival’s ethos and aesthetics. …”
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Felix Aderca – scriitorul sub vremuri by Mihaela Iancu

“…Aderca was well known by the inter-war Romanian readers especially for his articles and polemics published in some of the most important newspapers, magazines and reviews of the age. …”
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Kościół na drodze ku „Nostra Aetate”.Zarys relacji chrześcijańsko-żydowskich w XX w. przed II wojną światową by Andrzej Tulej

“…The historical context were the Russian revolutions, World War I, the fascist movements. The Church's statements intensified when, at the turn of the 1920s and 1930s, the National Socialist Party grew stronger, taking over power in Germany in 1933, leading to the tragedy of World War II and the drama of the Holocaust (Heb. …”
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Pierre Miremont (1901-1979) : un félibre oublié du félibrige ? by Cecile Noilhan

“…Half of them were written in the prisoner of war camps.…”
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