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    Arrêt sur image(s) : « The Old Icons » de Seamus Heaney by Pascale Amiot-Jouenne

    Published 2014-06-01
    “…This paper aims at exploring the dialogue established between image and word in the poem, so as to highlight the way the visible, the readable and the invisible interact and analyse how both the poet as “informed” observer and the reader as “naive” viewer find themselves involved in the continuum of text and history. …”
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    La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

    Published 2019-06-01
    “…Among the adaptations of La Tentation de saint Antoine de Flaubert, the one made by Henri Rivière deserves special attention. « Féerie à grand spectacle en 2 actes et 40 tableaux », La Tentation for the shadow theatre (1887) is a composite show that blended the visual component with the music (original and arranged by Albert Tinchant and Georges Fragerolle) inside a fixed device where the evocative appearance of the paintings carried the viewer into a mystical universe. The music plays a central role because, in the absence of a text, it must be narrated, so that known tunes, drawn from operas, operettas and café-concert, often used with a parodic sense, alternate with original music composed by Tinchant and Fragerolle. …”
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