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Arrêt sur image(s) : « The Old Icons » de Seamus Heaney
Published 2014-06-01“…This paper aims at exploring the dialogue established between image and word in the poem, so as to highlight the way the visible, the readable and the invisible interact and analyse how both the poet as “informed” observer and the reader as “naive” viewer find themselves involved in the continuum of text and history. …”
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Improvement of identity adaptive recognition algorithm in visual sensor network
Published 2016-06-01Get full text
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A case for two voices in Old Church Slavonic – reflexively marked OCS verbs
Published 2015-12-01Get full text
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A singularly perturbed HIV model with treatment and antigenic variation
Published 2014-11-01Get full text
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[In]toxic[ating] Bodies: Spirits and Spectral Biopolitics in The House of the Seven Gables
Published 2023-09-01Get full text
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LEAN-TECHNOLOGIES AS A RESOURCE OF EDUCATION MODERNIZATION
Published 2018-06-01Get full text
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Clinical Practice Guidelines for Stroke of Chinese Medicine Rehabilitation
Published 2019-12-01Get full text
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WE INTER-ARE: THE PANDEMIC CHALLENGE REDEFINING HUMANS AND COMMUNITIES
Published 2023-04-01Get full text
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Professionnalisation des métiers de l’enseignement : l’apport de l’observation des pratiques
Published 2010-01-01Get full text
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ANALYSIS OF HOUSEHOLD SAVING FACTORS IN BOSNIA AND HERZEGOVINA - APPLICATION OF ARDL METHODOLOGY
Published 2020-11-01Get full text
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Writing about displays of sculpture: historiography and some current questions
Published 2016-05-01Get full text
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Hmotné (ne)zajištění evangelických kazatelů v první a druhé generaci
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Bycie dziecka w Polsce „dobrej zmiany”– między Konwencją o Prawach Dziecka a rzeczywistością
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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire
Published 2019-06-01“…Among the adaptations of La Tentation de saint Antoine de Flaubert, the one made by Henri Rivière deserves special attention. « Féerie à grand spectacle en 2 actes et 40 tableaux », La Tentation for the shadow theatre (1887) is a composite show that blended the visual component with the music (original and arranged by Albert Tinchant and Georges Fragerolle) inside a fixed device where the evocative appearance of the paintings carried the viewer into a mystical universe. The music plays a central role because, in the absence of a text, it must be narrated, so that known tunes, drawn from operas, operettas and café-concert, often used with a parodic sense, alternate with original music composed by Tinchant and Fragerolle. …”
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The Role of Religion in the Lives, Agency, and Activism of Domestic Worker Leaders
Published 2021-12-01Get full text
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Models for plastic flow: People, places, concepts and techniques
Published 2025-01-01Get full text
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