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  1. 1181

    The Boundaries of Ethics – Art without Boundaries by Hiltrud Schinzel

    Published 2020-01-01
    “…Findings in the sciences and humanities – neurosciences in focus – are named concerning the perception of art by the protagonists: artist, conservator, art-teacher/promoter and viewer. They document that it is relevant to modify conservation’s function according to human biological conditions including basic human needs. …”
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    Kat, ofiara i świadek w "Śmierci i dziewczynie" Romana Polańskiego by Aleksandra Piętka

    Published 2023-12-01
    “…It discusses how Polanski toys with the thriller convention to create a cognitive dissonance in the viewer and uses artistic devices to reflect the process of restoring the identity by the protagonist. …”
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    Pamięć zdarzeń, które „nigdy nie miały miejsca”. Slavery Memorial Martina Puryeara by Aleksandra Piętka

    Published 2023-12-01
    “…Drawing on the history of higher education in New England, the author analyzes the artistic devices employed by Puryear to convey the truth about Brown’s involvement in the transatlantic slave trade and the rhetoric of perception imposed by the monument on the viewer. The aim of this paper is to demonstrate how the structure of the Slavery Memorial triggers the process of remembering historical facts that are not so much repressed as non-existent in the local community’s collective consciousness.…”
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    Les coulisses du sublime by Emmanuel Grimaud

    Published 2011-06-01
    “…By examining how stunts are done, camouflaged and how they confuse the viewer on their sources and processes, this article explores the challenges of this hybrid and complicated virtuosity that takes the optically act away from its material conditions of performance.…”
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