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    Aleksandr Bogdanov and Sergei Eisenstein on Emotions: The Affectional, the Theory of Expressiveness, and the Emotional Script by Bugaeva Lyubov

    Published 2021-12-01
    “…Eisenstein proposes a notion of an emotional script, which is a narrative of a prospective viewer telling what has impressed him. Aleksandr Rzheshevskiy, a scriptwriter of Eisenstein’s never completed ‘Bezhin Meadow’ (1937), became an ‘emotional scriptwriter’ in practice. …”
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    Dissections in Phoebe Gloeckner’s A Child’s Life (1998, 2000) by Hélène Tison

    Published 2020-05-01
    “…Gloeckner creates characters, notably a semi-autobiographical persona, who assume very different, sometimes contradictory, roles and positions, and her insistent and minute lifting of the skin of (mainly female) bodies can be read as an empowering gesture of displacement and repositioning, one that, through repetitions and variations, redirected gazes, erotic or pornographic scenes, engages the reader/viewer in a very direct, embodied manner.…”
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    Représenter volailles et volaillères dans la peinture italienne du Cinquecento by Valérie Boudier

    Published 2017-12-01
    “…They seem to embody the modalities of the viewer's gaze in the pictorial organization of genre scenes by these two North Italian artists of the Sixteenth Century.…”
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