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    The Politics of Circularity in Todd Phillips’s Joker (2019) by Guillaume Mouleux

    Published 2020-09-01
    “…In the wake of the worldwide box office and critical success of Todd Phillips’s movie Joker (2019) and of the controversies which accompanied its release, this article focuses on the notion of circularity both in the film’s storytelling and its interactions with the viewer, especially through the numerous intertextual references and evocations which are developed on screen. …”
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    The Uncannily Intimate in Guy Maddin’s Cowards Bend the Knee: An Aesthetics of the Suddenly Obscene by Anne COMBARNOUS

    Published 2014-12-01
    “…This will be considered in relationship with the specific aesthetics of the obscene Guy Maddin deploys in the first film of what he defined as his ‘autobiographic’ trilogy, Cowards Bend the Knee (2003), an aesthetics that raises the question of individual and artistic responsibility, as well as of the viewer’s own responsibility. The Lacanian notions of the vacuole and jouissance will be explored in terms of what may be seen as their interpretive representations in the film, together with Lacan’s interpretation of Freud’s Vorstellungrepräsentanz and the Un-begriff.…”
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