Al confine tra ufficialità e underground. Forme di istituzionalizzazione della ‘seconda cultura’ sovietica by Alice Bravin

“… From the second half of the 1970s, some organizations of unofficial and independent artists and writers were created in the Soviet Union, which were officially recognized by Soviet authorities: in 1976 in the Moscow City Committee of Graphic Artists a section of painting was set up that united non-formal artists who exhibited their works in the halls in Malaia Gruzinskaia street; in 1981 in Leningrad the literary club “Klub-81” was created, a unique organization of unsanctioned writers under the direct control of the KGB; in 1985 an alternative literary association, the “Klub Poeziia”, was also founded in Moscow. …”
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Infants of the Spring (1932): Cutting across the Stage of Harlem’s Black Bohemia by Elisa Cecchinato

“…He did so focusing on the so-called “Niggeratti Manor,” a residence where some of the young Black artists of the Harlem Renaissance lived. At the time, New York was still organized along racially segregated lines and various factors were shaping the uptown neighborhood: the migration of Black Americans from the South to the North of the United States; the urban reforms that aimed to organize this migration; and the political, intellectual, and artistic production that accompanied the Black emancipation struggles. …”
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The Future of Live Music by Paco Garcia

“…Directed by three professors from the University of Central Lancashire (Preston, United Kingdom), it involves 16 contributors in 13 chapters divided into five thematic parts: approaches, technology, artists, spaces and ratings. …”
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The Masquerade in the Marketplace: dele jegede's Introspections and Reflections In Colors and Lines by Toyin Falola

“…The discussion is centered on the artist as a scholar; the artist-scholar in Africa (Nigeria); and the artist-scholar in the Diaspora (United States). …”
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Kay Boyle and Caresse Crosby: Devoted Friendship by Linda HAMALIAN

“…Harry and Caresse Crosby were known then as an ultramodern, raffish couple determined to establish themselves as poets and patrons of writers and artists. Boyle had made early, significant contributions to the avant-garde literary scene in the United States publishing in Broom, Poetry, This Quarter, and transition. …”
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Exploration du territoire identitaire dans les installations de Fred Wilson by Claudine Armand

“…Selected to represent the United States at the 2003 Venice Biennale, Fred Wilson, like other artists today, questions history, art, and representation. …”
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Can Brexit be photographed? Six photographic projects raising critical questions about Britain’s exit from the European Union (2016-2020) by Mathilde Bertrand

“…Echoes and correspondences between them help paint the portrait of a divided United Kingdom while reasserting strongly the values of inclusion, tolerance and diversity that have been damaged in this difficult period.…”
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Performing Dissent: Pete Seeger and Paul Robeson before HUAC (1955-1956) by Jodie Childers

“…In this paper, I argue that the testimonies delivered by Pete Seeger and Paul Robeson before the House Un-American Activities Committee (HUAC) shed light on how left-wing artists performed their radical identities in response to allegations of un-Americanism during the height of McCarthyism. …”
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Documentaire et fiction dans Norteado de Rigoberto Perezcano by Marie-Pierre Ramouche

“…From its very beginning, the phenomenon of Latin American migration towards the United States has aroused great interest among artists in Mexico, which was primarily concerned by this exodus. …”
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“Proposals for change”: Art, Ecology and Intermediation in Helen Mayer Harrison and Newton Harrison’s The Lagoon Cycle, Breathing Space for the Sava River and Endangered Meadows of... by Monica Manolescu

“…This article discusses intermediation in three artistic projects by American artists Helen Mayer Harrison (1927-2018) and Newton Harrison (1932-2022). …”
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Mina Loy’s Surrealist Strategies of Renewal by Diane Drouin

“…The cosmopolitan avant-garde artist celebrates the “composite language” of the United States, and the ability of “the true American” to “ingeniously coin new words for old ideas.” …”
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Quels horizons politiques pour l’Irlande au XIXe siècle ? Une étude de quelques caricatures du temps de Parnell by Pauline Collombier-Lakeman

“…Artists such as John Fergus O’Hea, John Dooley Reigh and Thomas Fitzpatrick published cartoons which “celebrated the vicissitudes of a nation struggling to be reborn by means of Home Rule.” …”
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Using Fabric Cutoffs to Create Branding Patchwork Designs Around Kabale Town. by Amutuheire, Anold

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Censorship, Control and Resistance in Eugene O’Neill’s “black plays” The Emperor Jones and All God’s Chillun Got Wings by Gwenola Le Bastard

“…From its creation in 1922 to its dismantling in 1927, the Play Jury was in charge of theater regulation in the United States, at a time when segregation was still enforced on the stage. …”
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Słowo - obraz - pamięć w labiryntach komiksu by Grażyna Gajewska

“…For it is not only the artistic level that has been much developed and improved, but also the thematic range of subject to be tackled by this form of literature. …”
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Piloting creative engagement strategies to explore themes of parenthood with fathers by Iryna Culpin, Iryna Culpin, Catherine Lamont-Robinson, Mark Billington, Matthew James, James Prewett, Gareth Ward, Mireia Bes Garcia, Giovanni Biglino, Giovanni Biglino

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John McHale, l’Amérique passée à la machine by Juliette Bessette

“…In 1956 the artist John McHale returned to London after spending a year at Yale University. …”
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ART AS COMMUNICATION IN HOTSPOTS OF THE PLANET (ON THE EXAMPLE OF MODERN SYRIA). PART ONE by Oksana Kosiuk

“…As a result, it was found that culture is not silent. Modern artists express emotional experiences, record war crimes, and sound the alarm in order to draw the attention of the world community to the Syrian disaster. …”
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Художественный концепт „венчание” в повести И.А. Бунина „Деревня” by Natalia Królikiewicz

“…This analysis allows the author to indicate that opposites (such as death and birth, wedding and funeral, tragedy and farce) are united in a way that is typical for Bunin.…”
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Narrativas del cine sobre el viaje migratorio mexicano: Lenguaje simbólico y realidad social by Edith Mora Ordóñez

“…Films about Mexican migration to the United States that originally appeared in the forties have evolved in their process as artistic and communicative texts. …”
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