THE GENESIS OF THE PIANO TRIO by Marta CÎRLEJAN

Subjects: “…piano trio…”
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Corelli empfängt Lully. Über eine virtuelle Begegnung bei François Couperin by Johannes Menke

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Selecting the Best Music for the Moment in a Music and Imagery Session by Petra Jerling, Carmen Angulo Sánchez-Prieto, Isabel Solana Rubio

“… Music and Imagery (MI) is a receptive music therapy method within the Continuum Model of Guided Imagery and Music developed by Lisa Summer. …”
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The German Days of Dora Pejačević by Domagoj Marić

“…(The question primarily refers to Dresden, since Munich was still a bigger musical centre. After all, in the same period as Dora Pejačević, the Croatian composer Krsto Odak studied in Munich, but there are no known contacts between them.) …”
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“JUGGLE” FOR CLARINET AND PIANO BY CRISTIAN MARINA – CHANGING THE SEMANTICS OF CONTEMPORARY MUSICAL CREATION FROM THE POINT OF VIEW OF VARIOUS INSTRUMENTAL VERSIONS by Cristian BENCE-MUK

“…The present study analyses the main musical differences between the versions of the piece, insisting in the beginning of the analysis on the large circulation of this phenomenon (different instrumental versions of the same piece) in international and Romanian musical works of the 20th and 21st centuries.   …”
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BERCEUSES DU CHAT BY IGOR STRAVINSKY by Răzvan METEA

“…Berceuses du chat by Igor Stravinsky for voice and clarinet trio - picollo clarinet, clarinet in A, bass clarinet - is a cycle of four vocal-instrumental miniatures that are part of the Russian period of the composer’s work, being completed in 1915-1916. …”
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