Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti by Walter Zidaric

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La movilidad de los inmigrantes emprendedores con iniciativas culturales y creativas en la Comunidad de Madrid by OSORIO GARCÍA-OTEYZA, Miguel, JIMÉNEZ-SOSA, Mirian

“…Specifically, we explore through documentary analysis the social dimension of cultural and creative industries in immigrants’ lives as actors of their own future. Elements such as gastronomy, music or religion have always crossed different borders. …”
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Vous avez dit rock arabe ? Retour sur la trajectoire du groupe Carte de séjour (1980-1989) by Philippe Hanus

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Sing A Song for Home: How Displaced Iranian Song-Writers in LA Conceive of Home and Homeland by Pouya Morshedi, Lisa-Jo K. van den Scott

“…The 1979 revolution in Iran caused many people, including singers and songwriters, to immigrate. Many of them moved to Europe and North America. …”
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De David Belasco à Giacomo Puccini : La Fanciulla del West, premier opéra « américain » by Walter Zidaric

“…For the first time, Puccini resorted to genuine Indian music, a Zuni melody, which he re-elaborated for dramatic purposes and associated with the nostalgic mood of uprooted people, the miners who left their home country for America. …”
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Rage in a Time of Millennial Raving: Rage Against the Machine’s Critical Disruption of Y2K Excitement by Phillip Serrato

“…Les genres musicaux les plus populaires de l’époque – dance music et pop « bubble gum » – reflètent un intérêt décroissant pour le politique, notamment sur les questions ethniques et le problème de l’immigration. …”
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Narratives of an exodus by Elhadj Ould Brahim

“…This article examines the recent surge of Mauritanian immigration to the United States through the metaphorical lens of lehwyṭ likṣayr (“little short wall”), a Hassaniya expression symbolizing ease and accessibility. …”
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