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Artists in Resi/stance
Published 2024-07-01“…Their aesthetic resistance is a powerful means to communicate the issues at stake among the people. In post-conflict situations, artists contribute with their works to coping with trauma and foster reconciliation. …”
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Artistic image of the division in the Serbian people in the 20th and 21st centuries: Projection of ideas, causes and conditions of division in the prose and poetry of Radomir Stojanović
Published 2024-01-01“…They are a contribution to a new reading and interpretation of the artist's work and the relationship to the theme of us and others and the division of us and us within the Serbian people.…”
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Co-Creating Knowledge Online: Approaches for Community Artists
Published 2013-12-01Get full text
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Ways to implement artistic content on e-commerce platforms
Published 2023-05-01Get full text
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‘We’re All Mad Here’: Alienation, Madness, and Crafting Tom Waits
Published 2023-08-01“…No-direction-homers flock together and become the majority of Waits’ main characters. As an artist, he gives a voice and a name to those who, otherwise, would remain invisible, endowing them with corporeality. …”
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L'œuvre d'art en tant que témoignage: les artistes confrontés à la guerre
Published 2009-01-01“…To what extent this example, that portraits the yearnings of people, can be considered testimonial? Undoubtedly this is an interesting subject nowadays, with the ongoing debate about historical memory that is tacking place in Spain and in some other European countries, and the new young artists that make the Spanish civil war or Franco’s regime their subject without having lived them…”
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The Artistic Links of Dora Pejačević and Svetislav Stančić Viewed Through the Stančić Legacy in the Library of the Academy of Music in Zagreb
Published 2024-01-01“…Just as interesting as the lives and works of prominent personalities from the history of Croatian music are the relations among and between these persons and the circle of people around them. Such things, on the one hand, tell of their networking, their influences on each other, the interweaving of their lives and artistic paths. …”
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J. B. Priestley, artiste de propagande à la radio : au service de quelles idées ?
Published 2008-01-01Get full text
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Street art in the space of urban environment of Ryazan
Published 2024-01-01“…The authors of the paper determined the average level of awareness of residents about the activities of street artists and various works of street art.Conclusions. …”
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“Wairon and Waimansusu”: War Boat and Trade Boat of The Biak People in Papua-Indonesia
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Psychological features of perception of artworks by people with different types of functional brain asymmetry
Published 2024-06-01“…The perception of artworks is an individual cognitive process that may differ between the author and the recipient of artistic creativity, and the author’s intention may be misunderstood by the audience if the features of individual perception of a work of art, and the laterality of the personality, are not considered. …”
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THE THEME OF THE DEPORTATION OF THE CHECHEN PEOPLE IN THE GRAPHIC CYCLE CROSSROADS OF MEMORY (1944-2019) BY RUSTAM YAKHIKHANOV
Published 2023-12-01“…This study is the first to present an analysis of previously unexplored works that serve as an artistic response to the tragic events in the history of the Chechen people in 1944. …”
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Que nous apprennent les « artistes officiels » sur le front de l’intérieur (Home Front) dans la Grande-Bretagne en guerre, 1940-1945 ?
Published 2006-09-01“…The morale-boosting dimension of the work supposedly expected of them seems incompatible with creative freedom―the hallmark of the true artist. The article argues that at first glance the work of people like Edward Ardizzone, Bill Brandt and Henry Moore seems to show that they were a poor choice from the point of view of the authorities, since the morale-boosting aspect of their Home Front scenes was far from obvious at first glance. …”
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Le « brouilloscope », un nuancier pour éclairer les troubles de la perception
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Rise of Love and the People: French Matter and Manner in the Early Victorian Drama of Edward Bulwer-Lytton
Published 2017-11-01“…In the short period between 1837, when Queen Victoria came to the throne, and 1843, when the Theatre Regulation Act amended the Licensing Act of 1737 and thus reconfigured theatrical freedom and production in the United Kingdom, the fruitful collaboration of renowned novelist Edward Bulwer-Lytton and actor and theatrical manager William Charles Macready would prove to be decisive in shaping early Victorian drama and setting high standards in production and artistic integrity, which would be followed by successive managers. …”
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Intersectionnalité, diversité capacitaire et diversité ethnoculturelle
Published 2024-12-01“…This article provides an intersector analysis of issues faced by artists and cultural workers who are members of these diversity groups. …”
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REPRESENTATION OF THE MEMORIAL CULTURE IN CHECHEN PAINTING (2000-2012)
Published 2023-06-01“…The deep memory of the people includes historical and cultural areas, which include artistic images born in a creative way. …”
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