Soap opera viewing in a communal context by Michele Tager

“…Although the research undertaken covered various aspects of the soap opera viewing experience and the consumption of an international vs a local soap opera, this paper will focus specifically on the nature of the viewing process and the ways in which the respondents relate to both soap operas, and it touches briefly on how the viewing patterns of the students and their motivations for watching compare with audience studies conducted elsewhere in the world. …”
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THE CHORAL FRAMEWORK IN THE OPERA DECEBAL BY TEODOR ZGUREANU by Luminiţa GUŢANU

“…For the most part, he uses rhythmic-melodic elements specific to the folkloric melodicity, elements that draw their essence from the century-long experience of the folk artist that he decants by subjecting them to his own, unmistakable language. …”
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Rewriting the intersex body: On the opera adaptation of Herculine Barbin’s Memoirs by Gonzalo Iturregui-Gallardo

“…This framework serves to analyse the different adaptations (story, film and opera) and to argue that the opera presents a more queer-conscious narrative and a character who, despite being a victim of the social constraints of her time, was also master of her non-normative sexuality and desire. …”
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Multimodal Opera Performance Form Based on Human-Computer Interaction Technology by Lin Wu

“…The brain-computer interaction (BCI) technology could be used in opera performances to alter the audience’s emotional experience. …”
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WORK EXPERIENCE OF THE OPERA TIVE INFORMATION SUPPORT SERVICE FOR SCIENTIFIC RESEARCH A T THE MEDICAL RADIOLOGICAL RESEARCH CENTER NAMED AFTER A.F .... by N. P. Savina, V. A. Maznev, V. N. Galkin

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Educare all’opera: un’esperienza di museo inclusivo presso il Teatro di San Carlo by Dinko Fabris

“…The Teatro San Carlo Museum was inaugurated in 2011 with the aim of preserving the historical and artistic heritage of the oldest opera house still in operation. For this reason it has been named “MeMus”, combining the words “memory” and “music”. …”
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Witch-hunts, Theocracies and Hypocrisy: McCarthyism in Arthur Miller/ Robert Ward’s opera The Crucible and Carlisle Floyd’s Susannah by Rachel Hutchins-Viroux

“…Le répertoire d’opéras américains comporte deux œuvres qui furent créées afin de dénoncer le maccarthysme : Susannah, de Carlisle Floyd, et The Crucible de Robert Ward, d’après la pièce d’Arthur Miller. …”
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Le viol de Lucrèce de Britten : un livret d’opéra qui revisite les fondamentaux du genre by Pascal Terrien

“…After composing Peter Grimes, Benjamin Britten desired to go back to the basics of the genre. His first chamber opera, The Rape of Lucretia on a libretto in verse by Ronald Duncan constitutes an original experiment in the musical world of the time. …”
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“INTEGRITY, DISCIPLINE AND HUMBLE, CONSTANT HARD WORK – THESE ARE THE SECRETS OF A LONG AND SUCCESSFUL CAREER” by Adél FEKETE

“…Júlia Kirkósa has performed in Hungary, The Netherlands, England, Italy, Bulgaria etc., and has had the opportunity to work with famous opera directors, such as Hero Lupescu or Kürthy András. …”
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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“…Since then, Keri-Lynn Wilson has worked with famous symphony orchestras and opera houses all over the world, such as: Dallas Symphony Orchestra, Toronto Symphony, Los Angeles Philharmonic, Gewandhaus Orchestra, Simón Bolívar Symphony Orchestra, Vienna Staatsoper, Bolshoi Theatre, Arena di Verona, Israeli Opera. …”
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Remote Laboratory Experiments in a Virtual Immersive Learning Environment by Luca Berruti, Franco Davoli, Sandro Zappatore, Gianluca Massei, Amedeo Scarpiello

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INTERNATIONAL THEATRICAL EDUCATIONAL PROGRAM: 25 YEARS OF EXPERIENCE IN MOSCOW ART THEATRE SCHOOL by E. V. Burdenko, I. I. Artsis, N. S. Il'yushchenko

“…In addition to a conservatory-based training regimen - six days a week taught by masters at one of the world's most renowned theater companies - students experience the rich theatrical culture by attending performances of theater, opera, ballet, and music throughout the semester as well as enjoying frequent museum visits. …”
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« I Speak According to the Book » : écriture et logos dans Nixon in China de John Adams et Alice Goodman by Mathieu Duplay

“…In the process, they draw attention to the cognitive function of writing and especially to the different ways in which ideogrammatic and alphabetic writing systems shape experience and thought. While this question was repeatedly raised in North America throughout the twentieth century, its most detailed formulation occurs in the works of Marshall McLuhan; thus, his study of writing as a medium will be invoked in an attempt to highlight the opera’s original contribution to this long-standing debate. …”
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« Une splendide anomalie ? », le Pilgrim’s Progress de Ralph Vaughan Williams by Gilles Couderc

“…While the composer was conscious of the atypicality of his “operatic morality” it is indeed surprising to see an avowed agnostic composer spend forty years of his life on a work that dismisses the conventions of traditional opera and endeavours to portray mystical experience on stage and to renew with the sense of rite and ritual, part and parcel of the genre as Wagner’s subtitle for his Parsifal, “a sacred scenic festival”, reminds us.…”
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Monetary Incentives in Italian Public Administration: A Stimulus for Employees? An Agent-Based Approach by Linda Ponta, Gian Carlo Cainarca, Silvano Cincotti

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Trabajo asociado y tecnología: reflexiones a partir del contexto y de la experiencia de las Incubadoras Tecnológicas de Cooperativas Populares en Brasil by Pedro Claudio Cunca Bocayuva

“…It draws upon the learning experience of the National Programme of Technology Incubators of Popular Cooperatives (ITCP) of the National Secretariat of Solidary Economy of the Ministry of Labour and Employment in Brazil (SENAES-MTE). …”
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Italian cultural policy: conclusions for Russia by M. S. Andreykina, D. L. Morozova

“…The activities of private opera foundations have been discussed in detail. …”
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Assassinio nella Cattedrale de Pizzetti :le retour du religieux sur la scène musicale italienne des années 1950 by Walter Zidaric

“…He shared with Eliot a passion for Dante’s poetry, but Bishop Bell’s commission for Eliot’s play in 1934 coincided with the poet’s accepting a new social role as a consequence of his conversion to Anglicanism. Pizzetti’s opera is a Literaturoper inspired by the theme of religiosity and Love, religious faith appearing as a privileged area of the human experience from which Art is to benefit. …”
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Aller au cinéma pour apprendre à être « moderne » ? by Anne Kerlan

“…Movie at its beginnings in China took over many places traditionally dedicated to Chinese culture (teahouse, gardens, theater and opera houses); however, it became very quickly obvious that movie screenings should be held in places that could mirror the novelty of the show, either by the architecture, the design of the room or by the etiquette. …”
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Giovanni Moioli's Theological Portrait. The 40th Anniversary of the Milanese Theologian's Deat by Jacek Węgrzyn

“…The vast majority of them were published in Opera Omnia, while minor unpublished ones have been deposited in an archival collection dedicated to him. …”
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