Anti-Ebola virus mAb 3A6 protects highly viremic animals from fatal outcome via binding GP(1,2) in a position elevated from the virion membrane by Kathryn M. Hastie, Zhe Li Salie, Zunlong Ke, Peter J. Halfmann, Lisa Evans DeWald, Sara McArdle, Ariadna Grinyó, Edgar Davidson, Sharon L. Schendel, Chitra Hariharan, Michael J. Norris, Xiaoying Yu, Chakravarthy Chennareddy, Xiaoli Xiong, Megan Heinrich, Michael R. Holbrook, Benjamin Doranz, Ian Crozier, Yoshihiro Kawaoka, Luis M. Branco, Jens H. Kuhn, John A. G. Briggs, Gabriella Worwa, Carl W. Davis, Rafi Ahmed, Erica Ollmann Saphire

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OK Computer: Analogue Death, Digital Rebirth, and Radiohead’s Electronic Turn by Kwasu David Tembo

“…In order to provide as holistic an analysis of the theme of denouement as possible, this paper’s analysis will be predicated on questions, concepts, and ideas including but not limited to the following: the leitmotif of denouement present in the thematic influences on the album, such as the influence of the track “Exit Music (For a Film)” commissioned by director Baz Luhrmann on the rest of the album; the influence of radical analogue experimentation culled from Miles Davis’ avant-garde jazz fusion album Bitches Brew (1970); the theme of resignation, interstice, liminality, and transference/-formation in relation to the “computer syndrome” as discussed in Michael Heffernan’s “Fin de Siècle, Fin du Monde?” …”
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