« Amongst the Gods I Psyche will translate »: la réécriture par Thomas Shadwell de la tragédie-ballet Psyché (1671) de Molière, Corneille et Quinault by Pierre Degott

“…If Shadwell’s play can be read as an allegory of the political situation of the Restoration, this article attempts to show that the English Psyche, boldly subtitled “The English Opera” by the musician Matthew Locke in his edition of the work, can also be seen as an allegorical representation of the operatic world itself. …”
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