Virtuoses ambivalents by Graham Jones

Subjects: Get full text

THEATRE AND CIRCUS AS BACKGROUND FOR MAGICAL REALISM IN ANGELA CARTER’S NOVELS by Cristina Matilda Vănoagă

“…In the first instance, we established connections between circus and theatre and the illusion of magic for the audience, showing how Carter is inspired in creating her characters by the enchantment world and magic present in Shakespeare’s world and later by the clown representation in Chaplin’s acts in movies. …”
Get full text

Artistic synthesis in the novels of A.A. Kim (genre, style, method) by Akerke K. Assan, Irina G. Mineralova, Kadisha R. Nurgali, Kamashke D. Asanov

“…Kim’s individual style; to argue for the genre complexity of his prose as well as genre-style dominants indicating the individuality of writer’s style; to explain the functions of techniques, a priori considered by researchers to be features of the phenomenon of ‘magical realism’. As a result, based on the literature of the issue and the works of modern researchers, the article clarifies some essential features of writer’s individual style: techniques forming the philosophical plan of a work or the illusion of philosophies. …”
Get full text

History of the evolution of cinema in the context of considering the stages of development of science and technology. The first steps to the birth of cinema by Liudmyla Vaniuha, Mariia Kyreia, Natalia Lemishka, Olena Spolska, Iryna Patron

“…The magic lantern, the camera obscura, and the shadow play were key milestones in the development of cinema, as they developed techniques for manipulating light and shadow, creating the illusion of movement, and projecting images. …”
Get full text