¿PLAGIÓ DISNEY A CARMEN LYRA? by Luis Fernando Aragón-Vargas

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Film and Art : On the German Expressionist and the Disney Exhibitions by Penny Starfield

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DELINEATION OF WOMEN IDENTITY IN THE DISNEY ANIMATED FILM ECANTO (2019) by Agustin Diana Wardaniningsih, E. Ngestirosa Endang Woro Kasih

“…Most Disney animated films have a target audience of children. …”
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Extension du champ télécinématographique de la science-fiction. The Mandalorian (Disney+) by Hannedouche Cédric

Subjects: “…TV Series…”
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Les châteaux des parcs Disney. Le médiévalisme comme mythe entrepreneurial by William Blanc

“…Suivant cette logique, le château devient même le symbole du génie entrepreneurial de Walt Disney et permet de parer sa société d’une imagerie médiévaliste faisant justement oublier à quel point cette multinationale est un produit de la modernité industrielle.…”
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Bernd Herzogenrath (ed). From Virgin Land to Disney World : Nature and Its Discontents in the U.S.A. of Yesterday and Today. Critical Studies, Vol. 15. by Thomas Carmichael

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"Nominata la patata... spuntato il purè" : lexical and phraseological puns in Disney handbooks by Benedetto Giuseppe Russo

“…Assuming that the success of Disney guidebooks was not only due to their practical and recreational usefulness, but to a large extent also to engaging communicative strategies, the forms of amusing language manipulation that made the three indicated volumes, the most famous ones, appealing to the very young generations of the second half of the 20th century are examined with relevant examples, i.e. the ways in which the creative and witty style of the authors is declined: puns, witty word juxtapositions, allusive paronomasias, reformulations of idioms and proverbs. …”
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Oussekine, série française d’Antoine Chevrolier, Disney+, 2022, 4x52 min. by Sonia Suvélor

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L’esquisse du genre by Simon Massei

“…In a genealogical and diachronic approach, this article aims to describe the representations of masculinity and femininity in Disney’s full length animated movies since 1937, and the evolution of these representations over the last decades. …”
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Competição e digitalização: a expansão dos serviços culturais-digitais – os casos da Netflix, Disney e Apple by Elder Patrick Maia Alves

“…The first one sought to use the concepts of digitalization of the symbolic and cultural-digital capitalism, both of which are woven into other works and research that combine a broader research agenda, whose efforts are engaged in the realization of an economic sociology of cultural markets. …”
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Sorcières, Marâtres, Tyrans : Personnages de méchantes dans les longs-métrages d’animation Disney 1937-1989, ou l’incursion en dystopie masculiniste by Ariane Temkine

“…This study maps violence, seen through the prism of gender, in the animated feature films produced by Disney Studios between 1937 and 1989. Violence, whether exposure to it or its use to defend oneself or others, turns out to be a major marker in the representation of Disney’s male and female characters. …”
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Fertility Preservation for Cancer Patients: A Review by Tosin Ajala, Junaid Rafi, Peter Larsen-Disney, Richard Howell

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Quiste dentígero en un primer molar a la edad de 5 años. Informe de caso. by Disney Tablada Peralta, Leonardo R. Atienza Lois, Gretel Rivas Pérez

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Differentiation of sensory descriptors through co-inoculation of yeast and lactic acid bacteria in wet fermented coffee by Sandy Rodrigues Dias, Nádia Nara Batista, Ana Paula Pereira Bressani, Disney Ribeiro Dias, Rosane Freitas Schwan

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Biometrías fetales y variables maternas como predictores de desviaciones de la condición trófica al nacer by Disney Borrego Gutierrez, Elizabeth Alvarez Guerra González, Nélida Liduvina Sarasa Muñoz, Danay Vázquez Rivero, Celidanay Ramírez Mesa, Calixto Orozco Muñoz

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ROL MODELLERİ VE TOPLUMSAL DEĞERLER AÇISINDAN “UÇAKLAR” ADLI ANİMASYON FİLMİ ÜZERİNE BİR İNCELEME by Pınar Özgökbel Bilis

“…Bu animasyon filmleri kimi zaman Pinokyo, Çizmeli Kedi vb. gibi klasiklerin uyarlanması olarak, kimi zaman ise “Oyuncak Hikayesi”, “Arabalar” ya da “Kung Fu Panda”  gibi yenilikçi anlatılarla karşımıza çıkmaktadırlar. …”
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Pseudacteon Parasitoids of Azteca instabilis Ants in Southern Mexico (Diptera: Phoridae; Hymenoptera: Formicidae) by Brian V. Brown, Stacy M. Philpott

“…Three new species of the genus Pseudacteon are described, all from Chiapas, Mexico, and all of which are parasitoids of the ant Azteca instabilis. Sternite 6 of Pseudacteon dorymyrmecis Borgmeier is illustrated for the first time, and P. confusus Disney is synonymized with this species. …”
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A Principle Component Analysis of Galaxy Properties from a Large, Gas-Selected Sample by Yu-Yen Chang, Rikon Chao, Wei-Hao Wang, Pisin Chen

“…Disney et al. (2008) have found a striking correlation among global parameters of Hi-selected galaxies and concluded that this is in conflict with the CDM model. …”
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Olivers Twisted: Urban Milieu from Text to Media by Mario Martino

“…Both films underscore a crucial interest in the urban milieu and enthusiastically explore it, stressing an optimistic culmination in happy ending. …”
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Cadrage, décadrage et recadrage dans Baa Baa Black Sheep : A Jungle Tale de David Malouf et Michael Berkeley by Jean-Philippe Heberlé

“…This article discusses Michael Berkeley’s first opera, Baa Baa Black Sheep: A Jungle Tale. Premiered under the baton of Paul Daniel on July 3rd 1993 at the Cheltenham International Festival of Music, this opera is based on two texts by Rudyard Kipling: The Jungle Books (1894-1895) and “Baa, Baa, Black Sheep” from the short story collection Wee Willie Winkie and Other Stories, first published in 1888. …”
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