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    Decolonial Spectatorship and Performances of Contemporary Dance in South Africa:Mamela Nyamza’s Choreographies of Embodied Politics of Race and Gender in Place by Sarah DAVIES CORDOVA

    Published 2021-12-01
    “…The struggles for dance spaces, for festivals, for recognition of the dancers have long undergirded contemporary dance in Africa in general and no less so in postapartheid and covid-controlled South Africa where governmental institutional structures refuse to prioritise the arts sector and particularly independent dance practitioners despite the unique role they hold in the public space with performances embodying activist politics of race, gender and place. …”
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