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    The Postfeminist Masquerade and the Cynical Male Gaze: The Disavowal of Sexual Difference in Lars von Trier’s Breaking the Waves by Tamas NAGYPAL

    Published 2014-12-01
    “…In a cynical move which undermines the postfeminist association of irony with freedom, the director equates Bess’s belief in God with her acting for the gaze of his camera, betraying his skepticism about a feminine subject not captured by the cinema’s patriarchal apparatus.…”
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