La mise en scène de la Lorraine au cinéma by Delphine Le Nozach, Violaine Appel

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Positivité et négativité du goût culturel by Hervé Glevarec, Michel Pinet

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Histoire de l’immigration maghrébine en France : sociologie et fiction by Denise Brahimi

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Thèses dans le domaine de l’image soutenues en France et en Espagne entre avril 2006 et juillet 2008 by Nancy Berthier

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La réception des films de la Nouvelle Vague dans le courrier des lecteurs de Cinémonde by Geneviève Sellier

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Arrows of Desire: Dance and Power in Transnational Cinema by May Telmissany

“…The rehabilitation of this practice in transnational cinema opens up a new space to reflect upon the "dispositifs" of desire and power as the immanent principle of the reorganization of forces in society. …”
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Conflicting Images of Women in Hollywood 1930s Cinema by Raphaëlle Costa de Beauregard

“…L’étude de A Star is Born (William Wellman 1937), de son ‘remake’ par George Cukor (1954), et de la biographie de Frances Farmer : Frances (Graeme Clifford, 1982), permet de mettre en lumière l’image de la femme dans l’industrie hollywoodienne des années 20. …”
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Les Offices du cinéma scolaire et éducateur à l’épreuve des publics by Pascal Laborderie

“…In France, between the two World Wars, the Educational Cinema Offices built a network of teaching, education and propaganda using cinema. …”
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Transmettrelecinema.com : une plateforme pédagogique pour une certaine transmission d’un certain cinéma by Barbara Laborde

“…This article proposes a semiological analysis of the discourses and the editorialization of the educational videos available on the official platform of the CNC “Transmettre le cinéma”. It is observed the audiovisual staging of the videos, the analysis of the lexical content of the speeches, and the functionalities of the platform. …”
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“I felt I’d come home”: Sylvia Plath and France by Julie IRIGARAY

“…Plath’s passion for France found its expression in her passion for the arts, from cinema to painting, and of course literature. …”
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Léo Malet ou le roman noir américain made in France by Crystel Pinçonnat

“…During the German Occupation of France, the publisher Georges Ventillard, taking advantage of the craze for noir fiction and the banning of Anglo-American literature in France, launched the “Minuit” series. …”
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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales by Thomas Pillard

“…In the 1990s, North American and British scholars started to re-evaluate film noir and show that this genre was not exclusive to American cinema: in fact, Charles O’Brien revealed that the label “film noir” had first been used in France before the war to describe a group of French films that are more or less the same ones we now identify as “poetic realism”; he then went on to refer to a new tendency in post-World-War-II Hollywood cinema. …”
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Construire des salles de cinéma durant les Trente Glorieuses : le cas méconnu de l’architecte Georges Peynet by Andrés Avila Gómez

“…The study of this architect's career highlights the presence in France of an elite group of designers specialising in cinema architecture, unknown in architectural circles but widely recognised and in demand among cinema operators.As the leading French "cinema architect", Peynet has forged a career exclusively dedicated to the design of cinemas, contributing to the transformation of this architectural program.…”
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Relayer l’urgence : réflexions autour d’une expérience pédagogique de sciences politiques en dialogue avec les études cinématographiques by Maylis Asté, Matilda Holloway

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A imagem na pesquisa em psicologia social: um possível encontro da etnografia com o documentário cinematográfico by Gabriel Bueno, Andréa Vieira Zanella

“…A discussão da experiência vivida em ambos os processos dialoga com teóricos da antropologia, como José Magnani e Massimo Canevacci, e com a perspectiva de cinema documentário do teórico francês Jean-Louis Comolli e Eduardo Coutinho. …”
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Les « cinébus » dans la tourmente by Sébastien Denis

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Les spectres de Raúl Ruiz. La maison Nucingen (2009) by Adolfo Vera 

“…Raúl Ruiz, cinéaste chilien exilé en France à la fin des années 1970, a construit une œuvre très vaste et donc très difficile à comprendre univoquement. …”
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La place des sources documentaires dans l’écriture de l’histoire à l’ère du numérique : le cas de l’Encyclopédie raisonnée des techniques du cinéma by Rémy Besson

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« Qui m’aime me suive ! » Les archives de Jean-Michel Ribes et du Théâtre du Rond-Point à la Bibliothèque nationale de France by Corinne Gibello-Bernette, Hélène Keller

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Beyond Franco-Chinese Culinary Crossover: A Marriage of Methods and Ingredients at Yam’Tcha, Paris by Michelle E. Bloom

“…However, unlike her Chinese counterparts, she brought her unique blend of French and Chinese flavours back home to France. Further, based on Grattard’s appearances in documentaries (Netflix’s Chef’s Table: France and Vérane Frediani’s À la recherche des femmes chefs), my own interview with her and on-site research at her venues, true to the plurality of the francophone and the sinophone, and to the hybridity of foodways, as well as faithful to the platonic maxim that the whole is greater than the sum of its parts, Grattard’s cuisine, like Sino-French literature, cinema and visual art, is multifaceted rather than binary.…”
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