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    Modelling Customs Revenue in Ghana Using Novel Time Series Methods by Diana Ayorkor Agbenyega, John Andoh, Samuel Iddi, Louis Asiedu

    Published 2022-01-01
    “…Predominant amongst the existing models are the econometric models (the GDP-based model, the monthly receipts model, and the microsimulation model), which are laborious and sometimes unreliable when studying trends in time series data. In this study, we modelled monthly revenue data obtained from the Ghana Revenue Authority-Customs Division (GRA-CD) for the period January 2010 to December 2019 using two traditional time series models, ARIMA model and ARIMA Error Regression Model (ARIMAX), and two machine learning time series models, Bayesian Structural Time Series (BSTS) model and a Neural Network Autoregression model. …”
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    Le temps des morts-vivants : formes sérielles et potentiel critique des séries télévisées zombies by Clémentine Hougue

    Published 2022-06-01
    “…This article examines the links between serial form and critical content in series featuring a zombie apocalypse. It proposes to analyze the American series The Walking Dead (AMC, 2010-auj.), based on the eponymous comic book, as well as its two spin-offs (Fear The Walking Dead, AMC, 2015-2021 and The Walking Dead : World Beyond, AMC, 2020), but also Z Nation (Syfy, 2014-2018) and its spin-off Black Summer (Netflix, 2019-2021), and the British miniseries Dead Set (E4, 2008). …”
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    Ronnie James Dio: the man on the silver mountain by Joe Weber

    Published 2024-12-01
    “…Under this name he became an iconic hard rock vocalist, performing with numerous bands including Rainbow (1974–1979), Black Sabbath (1979–1982, 1992, and 2006–2010), and his own band Dio (1982–2004). Before his untimely death on 16 May 2010, he had performed 2293 shows in 627 cities in forty-eight countries around the world. …”
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    Challenging Islamophobia through Intermediality: Anida Yoeu Ali’s Performance Art by Martina Pfeiler

    Published 2020-10-01
    “…The article also includes an exploration of a selection of performance acts from Ali’s The Red Chador Series (2015; 2018; 2020). I argue that by establishing discursive counternarratives the two works highlight the cultural potential of using intermediality to challenge private and public Islamophobia in a globally connected world. …”
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