SİNEMA PERDESİNDE KIRILAN KARİZMA IŞIĞI: MAHATMA GANDİ by Mustafa Mencütekin

Subjects: Get full text

Soviet View of the World. Exploring Long-Term Visual Patterns in “Novosti dnia” Newsreel Journal (1945-1992) by Mila Oiva, Tillmann Ohm, Ksenia Mukhina, Mar Canet Solà, Maximilian Schich

“…Newsreels, short documentary news films, were an influential channel of mass communication and propaganda in the Soviet Union. …”
Get full text

PC-EL Type Thin Film Optoelectronic Memory System by Z. Porada, E. Schabowska-Osiowska, T. Kenig

Get full text

Effect of Annealing Temperature on CuInSe2/ZnS Thin-Film Solar Cells Fabricated by Using Electron Beam Evaporation by H. Abdullah, S. Habibi

Get full text

Titanium Silicide Formation in Presence of Oxygen by C. Nobili, F. Nava, G. Ottaviani, M. Costato, G. De Santi, G. Queirolo

Get full text

Modern Yaşamın Çelişkileri: Bohem Hayatı (Boheemielämää) by Nermin Küçüksönmez, Fazilet Lekesiz

“…Bohem karakterlerin hayata bakışı, yaşam şekilleri ve ilişkileri film örnekleminde ele alınmıştır.…”
Get full text

Quentin Tarantino : du cinéma d’exploitation au cinéma by Philippe Ortoli

“…This first observation should not be limited to the sociological perspective that has often been adopted since Reservoir Dogs (1992). Indeed, the films of Tarantino do not so much promote a pantheon of films that differs from that erected by the archeologists of cinema, but are driven by a desire to revisit the categories of film history, and thus of art history, ultimately leading to a redefinition of the very object of this quest: cinema, of course, and more generally, the image itself. …”
Get full text

Alàgbà Adébáyọ̀ Fálétí as a Yorùbá Novelist by Lere Adeyemi

“…They all come under ìtàn (Ogunsina, 1992). One Yorùbá novelist that has distinguished himself in the effective use of ìtàn (story) in novel writing is Adébáyò ̣ Fálétí. …”
Get full text

“I think it was in poor taste that you were doing Murtaugh in whiteface” – Blackface goes West (and White) in It’s Always Sunny in Philadelphia (FX, 2005-) by Sébastien Lefait

“…In these two installments, a white character “blacks up” to play Murtaugh in “sweded” sequels to Lethal Weapon 1 to 4 (Richard Donner, 1987, 1989, 1992, 1998). In these films within the series, the blackface tradition evolves to debunk other stereotypes than those it traditionally targets. …”
Get full text

Editorial by Thomas Duve

“…Die Bildstrecke mit Fotografien aus New York, in den Jahren 1992, 2017 und 2019 von Otto Danwerth aufgenommen und zum Teil in Galerien ausgestellt, nimmt die oft dunkle Bildsprache von Gotham City auf. …”
Get full text