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    Digital cinema: an alternative model for post-apartheid cinematic production and consumption? by Astrid Treffry-Goatley

    Published 2011-10-01
    “…This fragmentation remains one of the greatest challenges to the sustainability and racial transformation of the post-apartheid film industry. In this article I present a critical discussion on the rise of the low-budget, digital film in South Africa. …”
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    The post-earthquake pedagogical implementations of the earthquake victim pre-school teachers by Sevim Karaoğlu, Aybuke Hatun Aydin

    Published 2025-07-01
    “…The findings were explained through five main themes: activities pre-earthquake, the changes made in the educational settings, indoor activities in post-earthquake, outdoor activities in post-earthquake, and children and teachers' attitudes towards activities in post-earthquake. …”
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    Post-National Foundation of Judith Butler’s and Rossi Braidotti’s Relational Subjectivity by Adam Burke Carmichael

    Published 2016-10-01
    “… This article draws on examples of Indigenous conceptualizations of nationhood to question the post-national foundation of Judith Butler’s and Rossi Braidotti’s theories of affective subjectivity. …”
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    Contact lenses for visual rehabilitation in post-keratoplasty eyes: A review by Mohamed Ibrahime Asif, Nidhi Kalra, Manasi Tripathi, Mrinalini Anand Yadav, Shahnaz Anjum, Rajesh Sinha

    Published 2025-06-01
    “…To assess the role of various types of contact lenses (CL) after penetrating and lamellar keratoplasty, we reviewed all studies that were related to CL fitting in post-keratoplasty (full-thickness and lamellar) eyes between 1990 and 2024 by using relevant search keywords. …”
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    Great Patriotic War in Soviet and Post-Soviet Cinematography: Problems of Remediation by K. V. Igaeva, F. V. Nikolai

    Published 2022-10-01
    “…The article is devoted to the representations of the Great Patriotic War in Soviet and postSoviet cinematography. The study presents the comparative analysis of the heroic narrative dating back to wartime propaganda and most clearly manifested in post-war film epics, as well as the tragic narrative, which is inextricably linked with the ‘lieutenant’ prose of the Thaw-era. …”
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