Hill Jonathan D. and Jean-Pierre Chaumeil (eds), Burst of breath. Indigenous ritual wind instruments in Lowland South America by Tommaso Montagnani

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Experimental data on aerosols exhaled into the environment from different wind musical instruments by Ainara Ugarte-Anero, Unai Fernandez-Gamiz, Koldo Portal-Porras, Jose Manuel Lopez-Guede

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Wind Instrumentalist’s Magnet-assisted Embouchure Denture by Prakash Pugazhendhi, Sai Pranathi Putta, Anil Kumar Gujjari, K. N. Raghavendraswamy

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Factors influencing the holding of Ilia Slatin’s Symphonic Concerts in Kharkiv in the 1870s–1880s by Lichuan Zhang

“…Factors such as the improving financial position of KhRMS in the 1880s, the opening of wind instrument classes at the Kharkiv Music School in 1886, and the formation of a pool of orchestral musicians in the city helped solve the issues of forming a full-fledged symphonic orchestra, which by the early 1890s consisted of professional musicians from Kharkiv. …”
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Application of Multiacoustic Data in Feature Extraction of Anemometer by Dawei Chen, Xu Guo

“…The acoustic characteristics of wind instruments are a major feature in the field of vocal music. …”
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Forecasting Equatorial Ionospheric Convective Instability With ICON Satellite Measurements by D. L. Hysell, A. Kirchman, B. J. Harding, R. A. Heelis, S. L. England

“…Data from the IVM plasma density and drifts instrument and the MIGHTI red‐line thermospheric winds instrument are used to force the simulation. Data from IVM are also used to test for irregularities (electrically polarized plasma depletions). …”
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Using ICON Satellite Data to Forecast Equatorial Ionospheric Instability Throughout 2022 by D. L. Hysell, A. Kirchman, B. J. Harding, R. A. Heelis, S. L. England, H. U. Frey, S. B. Mende

“…Data from the IVM plasma density and drifts instrument and the MIGHTI red‐line thermospheric winds instrument are used to force the forecast model. …”
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L2 stress discrimination by non-musicians and musicians playing wind or percussion instruments by Sandra Schwab, Orianne Pythoud

“…Secondly, they revealed that percussionists – who, as rhythm experts, relied more on stress-related timing cues – performed better than musicians playing wind instruments – who, as pitch experts, were more sensitive to stress-related pitch cues – in detecting stress in Spanish words presented in babble noise. …”
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