Prospective cohort study of voice outcomes following secondary tracheoesophageal puncture in gastric pull-up reconstruction after total laryngopharyngoesophagectomy by Emily C. Deane, Harman Parhar, Linda Rammage, Amanda Hu, Donald W. Anderson

“…Voice loss is expected and vocal rehabilitation remains a challenge. Our study objectives were to investigate the feasibility of secondary tracheoesophageal puncture following gastric pull-up and to analyze voice outcomes. …”
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The use of pigs vocalisation structure to assess the quality of human-pig relationship by Villain, Avelyne S, Guérin, Carole, Tallet, Céline

“…Here, we tested the hypothesis that vocal structure may indicate the quality of HAR. …”
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The accuracy of an Online Sequential Extreme Learning Machine in detecting voice pathology using the Malaysian Voice Pathology Database by Nur Ain Nabila Za’im, Fahad Taha AL-Dhief, Mawaddah Azman, Majid Razaq Mohamed Alsemawi, Nurul Mu′azzah Abdul Latiff, Marina Mat Baki

“…Compared to other classifiers, OSELM showed superior accuracy and sensitivity in detecting dysphonic voices, differentiating structural versus non-structural vocal fold pathology, and between malignant and benign voice pathology. …”
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Face and Voice Recognition-Based Emotion Analysis System (EAS) to Minimize Heterogeneity in the Metaverse by Surak Son, Yina Jeong

“…EAS’s three primary modules—Facial Emotion Recognition, Voice Emotion Recognition, and User Emotion Analysis—analyze facial features and vocal tones to detect emotions, providing a holistic emotional assessment for realistic interactions in the metaverse. …”
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Comparaison entre espèces chez le primate et évolution du langage by Anne Reboul

“…The existence of semantic compositionality strictly speaking in the natural communication of nonhuman primates is still controversial, but on the other hand, the existence of statistical laws that had been considered as specific to language has been evidenced in the gestural and vocal communication of nonhuman primates. The investigation of nonhuman primates’ communication is a fast-developing research area, that should bring interesting perspectives on language evolution and that would benefit from targeting multimodal (gestures and vocalizations) communication in nonhuman primates.…”
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À quel corps appartient cette voix ? Quelle voix est parlée par ce corps ? La disjonction de la voix et du corps comme fondement de la performance dans les spectacles Spectacular,... by Charlotte Bouteille-Meister

“…This can be the gap between the incongruous presence of bodies on stage and the "vocal action" the actors perform, between the vocal but motionless bodies and the moving but silent and pointless image projected on the screen, or between actual sweating bodies and their technically-distorted and therefore artificial voices. …”
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Longitudinal Changes in Pitch-Related Acoustic Characteristics of the Voice Throughout the Menstrual Cycle: Observational Study by Jaycee Kaufman, Jouhyun Jeon, Jessica Oreskovic, Anirudh Thommandram, Yan Fossat

“…The analysis included comparisons of these features between the follicular and luteal phases and the application of changepoint detection algorithms to assess changes and pinpoint the day in which the shifts in vocal pitch occur. ResultsThe fundamental frequency SD was 9.0% (SD 2.9%) lower in the luteal phase compared to the follicular phase (95% CI 3.4%‐14.7%; PPPPPPP ConclusionsThese findings indicate that subtle variations in vocal pitch may reflect changes associated with the menstrual cycle, suggesting the potential for developing a noninvasive and convenient method for monitoring reproductive health. …”
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De la mise au silence à la prise de parole : la voix féminine de Martin Crimp à Sarah Kane by Solange Ayache

“…While the dramatic space, for both Crimp and Kane, is no longer a physical space but has become, to use Crimp’s words, “a mental space”, it appears that the scenic space has transformed into a sheer vocal space. This article looks at the importance of the voice in Crimp’s and Kane’s texts, focusing on the intervocal and transdramatic space created between their plays around the voice of a woman both central and spectral. …”
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Within, Without, Withinwards: The Circulation of Sound in Shakespeare’s Theater by Bruce R. Smith

“…This article considers air as a medium and explores the analogy between inside and outside in the production of vocal sound and in the circulation of sound within the Globe. …”
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Delivering an Effective Speech by James E. Dyer

“…Dyer, describes how to present a speech effectively by overcoming nerves, developing stage presence, refining vocal qualities, maximizing power of expression, making eye contact, and using presentation aids. …”
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Delivering an Effective Speech by James E. Dyer

“…Dyer, describes how to present a speech effectively by overcoming nerves, developing stage presence, refining vocal qualities, maximizing power of expression, making eye contact, and using presentation aids. …”
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Conservation biological control in forest: A case study with the pine processionary moth by Nattan Plat, Lucas Moreews, Laura Schillé, Jean-Baptiste Rivoal, Hervé Jactel

“…Predation by birds was also positively correlated with the vocal activity of the great tit, the main predator of pine processionary caterpillars in winter. …”
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Oropharyngeal Dysphagia Patient Profile Based on Flexible Endoscopic Evaluation of Swallowing by Chairul Anhar, Rizka Fathoni Perdana, Mohd Razif Mohamad Yunus

“…Stroke is the most common etiology. Impaired vocal cord movement, standing secretion, penetration, and silent aspiration were found on the preswallowing test. …”
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Awareness of glottal settings for the production of /h/-initial and vowel-initial words in French learners of L2 English by Christelle Exare

“…‘Glottal awareness’ corresponds to speakers’ ability to produce and recognise three glottal settings: aspiration (e.g. the glottis is wide open for the realisation of the first phoneme of ‘hat’), continuous voicing (e.g. the vocal folds vibrate with no interruption at word boundary for glide linking in ‘two wapples’) and glottalisation (e.g. the vocal folds close abruptly and / or vibrate irregularly for ‘my ˀaunt’). …”
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The Role of Anatomical Imaging and Intraoperative Neuromonitoring (IONM) for Successful Prediction of a Nonrecurrent Laryngeal Nerve by Hiroki Kuwazoe, Keisuke Enomoto, Daichi Murakami, Naoko Kumashiro, Saori Takeda, Muneki Hotomi

“…The pathological analysis confirmed nodular hyperplasia without malignancy; the condition was diagnosed as an adenomatous goiter. There was no vocal cord dysfunction and hoarseness after the surgery. …”
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Communication des primates humains et non humains : à la recherche des origines du langage – Conclusions by Jacques Vauclair

“…Based on the studies presented in the present special issue, the conclusive statements support the idea that nonhuman primates species are capable of cognitive flexibility (use of intentional and referential behaviours) when delaling with their gestural and vocal communicatory exchanges. Moreover, hypotheses related to language origins will take advantage of the studies of nonhuman primates’ communicative modes (phylogenetic aspect) and of language development in humans (ontogenetic aspect.…”
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THEATRICAL TECHNOLOGY IN TEACHING by Vera G. Pukhalskaya, Anna Yu. Kulinkovich

“…The article highlights the important aspects of a lecturer’s work on the text of a lecture including pronunciation, diction, vocal variety, and gestures. The article adduces advice of the renowned stage masters and public speakers on the rules for preparing a successful public speech.…”
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Public Speaking Tools by Ricky Telg

“… When making a public speech, there are various tools at your disposal: vocal delivery, body language, visual aids, audience engagement, and the method of delivery. …”
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L’art du théâtre de Howard Barker : la scène et la page en conflit by Vanasay Khamphommala

“…This distinction is best seen in his treatment of the dramatic text, both an object of fantasy in its written aspects, and an object of suspicion in its vocal dimension. This paper examines how Barker concentrates these tensions around the object the book, an omnipresent element of his imagination and plays, to the point of threatening the stage itself as a better, if paradoxical, dramatic space.…”
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Do goats recognise humans cross-modally? by Marianne A. Mason, Stuart Semple, Harry H. Marshall, Alan G. McElligott

“…Given that goats can combine visual and vocal cues to recognise one another, we investigated whether this cross-modal recognition extends to discriminating among familiar humans. …”
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