Considérations ontogénétiques et phylogénétiques concernant l’origine de la parole by Louis-Jean Boë, Jean Granat, Jean-Louis Heim, Jean-Luc Schwartz, Pierre Badin, Guillaume Barbier, Guillaume Captier, Antoine Serrurier, Nicolas Kielwasser

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Characterization of soundscapes with acoustic indices and clustering reveals phenology patterns in a subtropical rainforest by Yan-Tin Lai, Sheng-Shan Lu, Ming-Tang Shiao

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Characteristics of vocal cues, facial action units, and emotions that distinguish high from low self-protection participants engaged in self-protective response to self-criticizing by Viktória Vráblová, Júlia Halamová

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Competência na comunicação e perfil de participação em atividades vocais de professores do Distrito Federal com e sem desvantagem vocal by Dayane Cardoso de Melo, Fabiana Zambon, Mara Behlau

“…O protocolo Índice de Desvantagem Vocal 10, com nota de corte de 7,5, foi utilizado para classificar os professores em dois grupos: grupo com desvantagem e grupo sem desvantagem vocal. …”
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A quantitative amplitude of vagus nerve obtained by intraoperative neuromonitoring predicts postoperative vocal cord paralysis among patients in thyroid/parathyroid surgery as a second option by Hiroshi Katoh, MD, FACS, Riku Okamoto, MD, Kanako Naito, MD, Tomoya Mitsuma, MD, Mariko Kikuchi, MD, Takaaki Tokito, MD, Takeshi Naitoh, MD, FACS, Naoki Hiki, MD, Yusuke Kumamoto, MD, Takafumi Sangai, MD

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La vocal ù en el “Arte” (1765) de Andrés Febrés. Fonología mapuche en la tradición misionero- colonial de la zona chilena by Nataly Cancino

“…En este artículo, se toma como objeto de estudio la escritura y la pronunciación de /ɨ/, fonema vocálico central cerrado, en el Arte de Andrés Febrés (1765), debido a que este sonido del mapudungun era una novedad para el jesuita y porque su tratamiento historiográfico ha sido diferencial respecto de las vocales del español, lo que lleva a que hasta la actualidad se le conozca como “la sexta vocal mapuche”. …”
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Social context affects sequence modification learning in birdsong by Lioba Fortkord, Lena Veit

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Communication, latéralité et cerveau chez les primates humains et non humains : vers une origine gestuelle ou multimodale du langage ? by Adrien Meguerditchian, Hélène Cochet, Catherine Wallez, Jacques Vauclair

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Time Series Classification of Raw Voice Waveforms for Parkinson's Disease Detection Using Generative Adversarial Network-Driven Data Augmentation by Marta Rey-Paredes, Carlos J. Perez, Alfonso Mateos-Caballero

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Chercheurs en interaction avec le terrain corse by Catherine Herrgott

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Mutual coordination of behaviors in human–chimpanzee interactions: A case study in a laboratory setting by Akira Takada

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Protocole pour l’entraînement des compétences de communication orale des enseignants dans un objectif de prévention vocale : Description du programme VirtuVox by Angélique Remacle, Valérie Ancion, Dominique Morsomme

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Determining correct tracheal tube insertion depth by measuring distance between endotracheal tube cuff and vocal cords by ultrasound in Chinese adults: a prospective case-control study by Xuanling Chen, Wenwen Zhai, Zhuoying Yu, Jiao Geng, Min Li

“…The distance between the upper edge of the saline-inflated cuff and the vocal cords was measured by ultrasound; the ideal distance was considered to be 1.9–4.1 cm.Results Among the 105 cases, two cuffs were too close to the vocal cords and one too far away from the vocal cords. …”
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The Queer Voices of Xavier Dolan’s Mommy by Jason R. D’Aoust

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Mécanismes neuronaux pour la communication chez les primates by Julia Sliwa, Daniel Y Takahashi, Stephen V Shepherd

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Percepción de la voz en función del uso de mascarillas por la covid19 by Nuria Polo, Filipa M.B.LÃ

Subjects: “…autopercepción de síntomas vocales…”
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Comment on, “How reliable is the assessment of true vocal cord-arytenoid unit mobility in patients affected by laryngeal cancer?... by Gokul Sudhakaran

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Oncological and functional outcomes following transoral laser microsurgery in patients with T2a vs T2b glottic squamous cell carcinoma by David Forner, Matthew H. Rigby, Robert D. Hart, Jonathan R. Trites, S. Mark Taylor

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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

Subjects: “…vocal ecclesiastical music…”
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The disturbing order and Hafez's ghazals by Naser Rahimi, Zoheir Nadalizadeh

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