Que bom te ver viva: vozes femininas reivindicando uma outra história by Kátia da Costa Bezerra

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Maurice Audin : une victoire by Gilles Manceron

Subjects: “…torture…”
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Between revolution and human rights: the testimonies of Brazilian exiles at the Russell Tribunal II by Felipe Magaldi, Cynthia Sarti

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Maybe to blot out the voice : Vocaliser l’horreur dans quelques pièces de Pinter, Churchill et Crimp by Laetitia Pasquet

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Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique by Pierre Jailloux

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Police Powers and Commitments in Controlling Violence arising from Assemblies: A Comparative Study of Iranian Law and International Human Rights Law by Mehrdad Ganjali Darani, Sattar Azizi, Shahram Zarneshan

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« Je souris ». La guerre d’indépendance de Boualem Khalfa (1923-2017) by Pierre-Jean Le Foll-Luciani

Subjects: “…torture…”
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“Some Real War Shit. … I Fucking Held the Camera”: Re-implacing Iraq in Roy Scranton’s War Porn (2016) by Barbara Kowalczuk

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Condamner et punir dans une ville moyenne de province au temps des Lumières : les exécutions publiques à Tours (1762-1768) by Fabrice Mauclair

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Gilberte Alleg témoigne… by Gilberte Alleg, Alain Ruscio

Subjects: “…torture…”
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De la caresse d’un rêve aux tortures d’un cauchemar : la lecture du testament par Utterson dans The Strange Case of Dr Jekyll and Mr Hyde de Robert Louis Stevenson by Samia OUNOUGHI

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Forced feeding of convicts: problems of theory and practice by Yu. V. Orel, R. R. Galán Vioque

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Illegal evidence in criminal proceedings: Collecting of evidence by authorized officials of internal affairs bodies by Živanović Katarina S.

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Ocular injuries by less-lethal weapon: a view from Switzerland by Anna Fierz

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Frames of violence and recent history in Simon Stephens' Motortown by Marion Coste

“…The representation of recent history will be analysed in this paper through the representation of torture, and more specifically the Abu Ghraib scandal, in Simon Stephens’s Motortown (2006). …”
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When “Things Fall Apart”: Thinking Through Absurdity with Arendt and Aseyev by Cana Beverage

“…War often occasions such moments, not just because of the moral and political turmoil that accompanies it or the physical damage it inflicts upon people and their environments, but also because of its absurdity; this latter feature, the absurdity of war, is captured by Stanislav Aseyev, a Donetsk-born Ukrainian writer, in his books In Isolation: Dispatches from Occupied Donbas and The Torture Camp on Paradise Street. In this essay, I argue that Aseyev’s reflections on Russian occupation, imprisonment, and torture demonstrate both the special value of Arendt’s “thinking” for those enduring war and violence and reveal a pre-moral-political capacity of “thinking” latent but never explicit in Arendt’s work: the power to cope with the absurd qua absurd.…”
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Le jaguar, sujet et objet du sacrifice maya by Claude-François Baudez

“…In Maya iconography, the role of the jaguar as a predator associated with all kinds of violence such as war, sacrifice, torture and self-sacrifice, is well-known. Less obvious is its symmetrical and inverse role of victim, on the altar or on the scaffold. …”
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Čarodějnické a kouzelnické procesy v zahraniční historiografii: nové perspektivy a úhly pohledu by Zuzana Kobrlová

“…Also some questions concerning, for example, the role of torture or solving the problem whether the processes can be described as a profitable programme of elites are accentuated here. …”
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La clausura del pasado. Los conflictos del cono sur de América by Juan Rial

“…Latin American dictatorships all practiced some form of "dirty war", that entailed the disappearance of persons, murder and torture, to fight people engaged in armed propaganda or open insurrections taking place in the seventies. …”
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Une marrane devant le Saint-Office de l’Inquisition, México, 1642-1649. Isabel Tristán, « La Tristana » by Solange Alberro

“…Denounced to the Saint Office by several testimonies, torture didn’t break her, and Tristana didn’t confess anything new to the inquisitors. …”
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