SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS by Adél FEKETE

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Soundtracks of Empire: “The White Man’s Burden,” the War in the Philippines, the“Ideals of America,” and Tin Pan Alley by Robert W. Rydell

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Acoustic features of instrumental movie soundtracks elicit distinct and mostly non-overlapping extra-musical meanings in the mind of the listener by Karleigh Groves, Morwaread Mary Farbood, Brandon Carone, Pablo Ripollés, Arianna Zuanazzi

“…We systematically investigated how acoustic features of instrumental soundtrack excerpts (e.g., tempo, loudness) contributed to mental imagery of movie scenes. …”
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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

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The Cinematic Visions and Dreams of Edgard Varèse by Gabriele

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New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

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Kompositorische Effizienz und dramaturgische Vielfalt. Der Fabelzusammenhang in der Filmmusik Ennio Morricones und die Beziehungen zu narrativ wirksamen Topik-Reihen by Robert Rabenalt

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The Queer Voices of Xavier Dolan’s Mommy by Jason R. D’Aoust

“…It focuses on the film’s swearing, competing diegetic voices, disruptive soundtrack, as well as its scenes of lip synch, play-back, and karaoke, in order to convey queer vocal identifications. …”
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Chanson Cachée: The Music-comic albums of Geneviève Castrée by Damon Herd

“…He then analyses Castrée’s two book-and-record sets, comparing the soundtrack to the drawn narrative: their respective autonomy as artistic works, their temporality in terms of reception, and the diegetic status of music in each of the graphic narratives.…”
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Pratiques de réception des images musicalisées télévisuelles sur les réseaux socionumériques. Analyse des tweets des téléspectateurs de l’émission Les Reines du shopping (M6)... by Guylaine Gueraud-Pinet

“…The soundtrack of French TV programs based on preexisting music is part of the daily musicalization. …”
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“Key to the highway”: blues records and the great migration by Louis Mazzari

“…The theme is the way black southerners used the blues as the soundtrack of the Great Migration. In a sense, the Delta blues was a musical travel narrative for tens of thousands of people who were leaving the rural South for an unknown, modern and industrial future. …”
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О интерсемиотической передаче комического в аудиодескрипции к советским кинокомедиям by Maria Mocarz-Kleindienst

“… Audio description (AD) is an additional soundtrack in a film containing concise, verbal information about what is happening on the screen. …”
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Evaluating the utilization of public art capabilities in cultural-led regeneration (Case study: Oudlajan neighborhood) by mahmood ARVIN, Mahsa ghaneh, ahmad pourahmad

“…In the interim animated film, the video playback index has the most impact and the least impact is the soundtrack.…”
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Finding a rhythm within by Jan-Albert van den Berg

“…Although each of these soundtracks represents a unique story, together they create a harmonious melody, as in the central metaphor of polyphony. …”
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Rock and roll et violence en Italie en 1956 by Jacopo Tomatis

“….: rock’n’roll records, rock’n’roll movie soundtracks, etc.) was made available in Italy. The impact of rock’n’roll on Italian popular music – as well as the general process through which new music genres spread worldwide – cannot be fully understood without considering paradoxes as such.…”
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