Enjeux idéologiques et littéraires de la science-fiction en Corée du Nord depuis 1945 by Benoît Berthelier

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Variable factors in literary critical evaluation (on the examples of selected literary critical polemics from the 1930s and 1940s) by Martin Makara

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Aspecte ale „înregimentării asumate” de scriitori în presa comunistă din perioada 1949–1965 by Doina Matei Marcu

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Camil Baciu by Mihai Iovănel

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Sarah Kirsch, auteur d’ouvrages pour enfants by Céline Weck

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Kırmızı Pazartesi ve Kuyucaklı Yusuf Romanlarının Toplumcu Gerçekçi ve Sosyolojik Eleştiri Bağlamında Karşılaştırmalı Analizi by Ferhan Öztürk

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Polskie kino lat 1949–1955 wobec realizmu socjalistycznego. Ideologiczna mobilizacja jako kontekst dla myśli pedagogicznej by Marek Sokołowski

“…The article concerns a specific period in the history of Polish cinematography, called socialist realism (1949–1954). The new style of filmmaking (according to the ideology of the Polish Communist Party), was imposed by the filmmakers, but was not accepted by the cinema audience. …”
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Entre Rideau de Fer et Dégel : panorama des opéras soviétiques 1945-1970 by Tetiana Zolozova-Le Menestrel

“…The immediate post-war “Iron Curtain” years in the USSR were a time of artistic and cultural stagnation due to Stalin’s and Jdanov’s diktats denouncing musical formalism and exalting the method of socialist realism, with such victims as Prokofiev and Shostakovich among others, leading to stereotyped libretti subjects set to an impoverished standardized musical idiom. …”
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The architectural beginnings of Bogdan Bogdanović: The residential settlement of the Hydrotechnical Institute on the foothills of Avala by Janakova-Grujić Mare B.

“…Through its projection in the early 1950s, as a kind of garden village with a grape-like structure and free disposition, with houses made of hand-hewn stone, its architect Bogdan Bogdanović not only radically stepped out of the practice and theory of residential architecture and urbanism of the time, in opposition to the dogma of Socialist Realism, but manifested through its design a logical continuation and tangible result of his extensive reflections on the new Yugoslav architecture and a more humane society. …”
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“Новая литература не возникает как пистолетный выстрел в ночи”. Об институциональных границах первых советских массовых писательских объединений... by Dar’ia Moskovskaia, Vagif Guseinov

“…These dynamics include nationwide tense discussions among writers about funding mechanisms, continued ‘showdowns’ with enemy-colleagues, the development of the concept of socialist realism as a method for unifying writers of various social backgrounds, the “organization of total control in the literary sphere” (Frezinskii), and the complete loss (through the Charter and other practices) of institutionally formalized creative freedom for members of the Writers’ Union. …”
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