« Parlez-vous franglais ? » La galimafrée des langues dans Henry V  by Jean-Michel Déprats

“…Henry V is Shakespeare’s most polyglot play. Translators have often resorted to regional dialects (such as Alsatian, Occitan variants, Breton language, Creole…) to render the Irish, Scottish and Welsh accents of Shakespeare’s Captains in the play. …”
Get full text

“We must dig our trenches, and win or die”: Voltairine de Cleyre’s Transnational Anarchism by Rita Filanti

“…Instead, her anarchism was inherently translational and her idea of nationhood multiethnic, nonpolitical, and polyglot. De Cleyre cross-fertilized anarchist ideas from overseas with the most rebellious energies of the national mind. …”
Get full text

Solmisationssysteme in El cantor instruido von Manuel Cavaza. Ein Fallbeispiel zur Methodenvielfalt im 18. Jahrhundert by Luis Ramos

“…According to this source, a well-informed singing teacher at that time had to be a musical polyglot.…”
Get full text

Kino wielojęzyczne jako pole komunikacji międzykulturowej by Teresa Rutkowska

“…Chris Wahl postrzega kino wielojęzyczne (polyglot cinema) jako szczególny gatunek filmowy wraz z takimi podgatunkami jak: episode film, globalisation film, immigrant film, colonial film i existential film. …”
Get full text

‘Subtle Instrument of Music’: Translating the Sound and Appearance of Decadence in Wilde’s Salomé by Erin Dunbar

“…French decadence—the sensuous vocality, the varying connotations taken on in the polyglot literary environment during the period, and the bold outward presentations of said language on stage—rides on both voice and meaning as it interacts with the play’s subject matter, and results in the most depraved and indulgent of productions. …”
Get full text