Représenter les Troubles. Du spectacle médiatique au cauchemar historique  by Brigitte Aubry

“…Amongst the artists who sought to represent the events, two English painters stand out: Rita Donagh, who has been reflecting on the conflict since the 1970s, through the ideas of identity and territory, and Richard Hamilton, who himself created an ambitious trilogy through three major artworks – The citizen (1982-3), The subject (1988-90) and The state (1993). …”
Get full text

La mise en tourisme du patrimoine paysager de la Vallée des peintres entre Berry et Limousin : un levier de développement rural ? by Edwige Garnier, Frédéric Serre

“…The purpose of the article is to examine both the process of heritage development in the Valley of the Painters and the economic and territorial benefits of development initiatives.…”
Get full text

Mary Colter au Grand Canyon ou l’invention d’un paysage by Patrick Pérez

“…For it to become an admired landscape embedded in the practise of tourism, a shared aesthetic perception needed to be built. Scientists, painters, and photographers were the artisans of the first taming of this landscape. …”
Get full text

Le récit mythique d’une conversion : La Argentina à l’Athénée de Madrid by Hélène Frison

“…That evening, while she performed at the Athenaeum in Madrid in front of "intellectuals, painters, writers, poets, musicians," a double shift took place: while the spectators experienced a kind of epiphany of the dance, she became aware of what her priesthood would be from then on - to embody "the spirit of the Spanish dance". …”
Get full text

La matière des images dans The Duchess of Malfi by Anne-Valérie Dulac

“…The present paper explores the various types of painters and artists mentioned by John Webster in The Duchess of Malfi. …”
Get full text

Camillo e Giulio Cesare Procaccini per i governatori spagnoli a Milano: alcuni episodi di committenza e collezionismo by Odette d'Albo

“…Camillo (1561-1629) and Giulio Cesare Procaccini (1574-1625) were two of the most important painters in Milan at the beginning of the 17th century, when Lombardy was under Spanish control. …”
Get full text

Voir l’espace et dire le temps : le grand écart du discours esthétique victorien by Laurent Bury

“…While Henry James was offended by the “historicizing” reading of art works, John Ruskin usually wanted to find what came before and after the scene represented by the artist. Many Victorian painters thus tried to reconcile those two apparently incompatible dimensions of time and space, through all sorts of devices, juxtaposing canvases in order to create a more or less chronological series, resorting to polyptichs, adding titles which suggested a more literary apprehension of their work, etc. …”
Get full text

« Effets-tableaux » et parergon dans Macbeth Meeting the Three Witches par Francesco Zuccarelli et par Henry Füssli d’après Macbeth by Nathalie Padilla

“…During the 18th century, Shakespeare’s Macbeth was a source of inspiration for many painters who tried to underscore the pictorial quality of the play, especially that of Act 1, scene 3. …”
Get full text

Se souvenir du tribun et de l’apôtre. John Ruskin par son traducteur Émile Cammaerts (1878-1953) by Julie Lageyre

“…Between 1906 and 1916, he published for instance the translations of Lectures on Architecture and Painting (1910), Val d’Arno (1911) and a section of the Modern Painters (1914). Cammaerts searched for a balance between the correct transposition of John Ruskin’s writings and the required adjustments for a Francophone audience. …”
Get full text

Une constellation invisibilisée by Marie-Dominique Gil

“…If she has remained famous for her literary work, her artistic practice and correlatively the transmission strategies that she organized specifically for young women sculptors, painters or even videographers have remained in the shadows. …”
Get full text

Le Paysage, le style, et la modernisation agricole : la vallée de l’Orne dans Bouvard et Pécuchet by Grant Wiedenfeld

“…This consideration of literary landscapes then leads to a comparison with nineteenth century French landscape painters in the final part of the article, where Charles Blanc’s comments on prosaic subjects and on style’s connection to the ideal animate our abstract comparison.…”
Get full text

Cosmopolitan impressions from a contemporary Bengali patachitra painting museum collection in Portugal by Inês Ponte

“…Focusing particularly on the recent development of women as painters and performers of the patua folk craft in an expanded market, through a study of the acquisition of a patachitra collection by the Ethnology Museum in Lisbon, I explore the cosmopolitan impressions in the work of such women from the village of Naya. …”
Get full text

La Vision artistique de la montagne : panorama, pli ou plongée ? by Marie-Madeleine Martinet

“…The undulations of uneven grounds provided motifs to represent folded spaces where diversity or surprise predominates over regularity; the reflections of these tormented shapes between glaciers became an object of scientific investigation, at the same time inspiring romantic landscape painters to find new shades of colour. Lastly, the vertical dimension, angled views and peaks, brought a new approach to perspective and the corresponding optical illusions.Mountains, a strange world, brought about inverted visual effects with the most irregular shapes prevailing over landscapes; and they were first studied in distant countries where their unusual appearance seemed less unexpected, before being discovered at home as an artistic subject…”
Get full text

Autoportraits photographiques américains : De la blancheur à l’ombre chez Alfred Stieglitz ; de la nudité au pastiche chez Lee Miller by Marie Cordié-Levy

“…For Stieglitz, overexposure implies a strategy to free photography from the influence of painters present in the pictorialist movement in order to create a self-determined medium. …”
Get full text

Vernon Lee’s travel essays and the “confusion” of optical and temporal lines by Claire McKEOWN

“…Vernon Lee’s response to impressionism is mixed, but in Limbo she lauds the impressionist painters’ ability to capture “the confusion of Nature’s effects.” …”
Get full text

Du baromètre au piolet, cent cinquante ans de visions britanniques de la montagne by Michel Tailland

“…Throughout the XVIIIth and XIXth centuries, daring British travellers kept exploring and conquering mountain ranges up to then mostly "terra incognita Many of them, from William Brockedon, Edward Whymper, John Auldjo or Albert Smith not only wrote about them but also sketched or painted their landscapes thanks to their multi-faceted talents as writers, painters or engravers. This paper aims at analyzing the changes in the different points of view of a few generations of these artist/travellers who left an everlasting influence on contemporary visions of mountains. …”
Get full text

Aldo Palazzeschi's Works: Works between Literature and Art by Mohammad Hossein Ramadan Kiaei, Zohreh Montasseri

“…Undoubtedly, the author's early literary activities were influenced by his close relationships with artists, especially painters of his time. The traces of theater art can also be clearly seen in the works of the author's youth years. …”
Get full text

La Tentation de saint Antoine de Flaubert et Uspud d’Erik Satie : affinités secrètes et résonances en filigrane by Bruna Donatelli

“…La Tentation de saint Antoine triggered almost exclusively the painters’ interest, until the 1880s: they were fascinated by its implicit iconic appeal and visionary universe. …”
Get full text

El ave como cielo: la presencia del ave chan en las bandas celestes mayas by Rogelio Valencia Rivera, Daniel Salazar Lama

“…Due to the fact that some iconographic elements possess an inherent multivalued symbolic content (i.e. they are polysemic), sometimes the Maya painters or sculptors used writing to denote univocally the element they tried to represent. …”
Get full text

‘Strange old Italian dresses’: Walter Pater, Victorian fashionista? by Bénédicte COSTE

“…, “The School of Giorgione” (1877) and “A Prince of Court Painters” (1885), Pater mentions and describes dress with special emphasis on details. …”
Get full text