Dérision de l’étranger et exaltation du Britannique dans l’œuvre de William Hogarth 1697-1764 by Isabelle Baudino

“…As a “comic history painter” William Hogarth frequently mocked his contemporaries and was much famed for his works in which he satirised the mores of his time. …”
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Leroy Clarke entre poésie et peinture, Chantre de la spiritualité et de la liberté by Patricia Donatien-Yssa

“…The Trinidadian painter Leroy Clarke is hungry for art, and every piece of paper becomes under his fingers a field of experimentation for his excessive and impressive style. …”
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Images ‘in the air’ in George Moore’s Lewis Seymour and Some Women and Modern Painting by Fabienne Gaspari

“…After his failure to become a painter in Paris, Moore started to write novels in the 1880s. …”
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Leroy Clarke entre poésie et peinture, Chantre de la spiritualité et de la liberté by Patricia Donatien-Yssa

“…The Trinidadian painter Leroy Clarke is hungry for art, and every piece of paper becomes under his fingers a field of experimentation for his excessive and impressive style. …”
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Reading and (not) seeing? by Sandra Saayman

“…Breyten Breytenbach, who is a poet, novelist, essay-writer and painter, very rarely evokes his own pictorial oeuvre in his texts. …”
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Cosimo D’Amico: from the realism to hyper-realism by Giuseppina Vara

“…The Author introduces Cosimo D’Amico, a still little-known Sicilian painter whose technical mastery can be declined in heterogeneous and ever-new genres and pictorial imageries, ranging from metaphysical scenes to material landscapes, from ambiguous figures to portraits so real that they look alive.…”
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Images de la Révolution dans l’œuvre de Jorge González Camarena by Marie-Pierre Ramouche

“…This article intends to analyze the representations of the Mexican Revolution in the work of the muralist painter Jorge González Camarena. Member of the second generation of Muralists, Camarena succeeded in creating a style which made the most of mural art but, at the same time, enabled him to serve the official speech which had a tendency to simplify and mystify the Revolution’s history.…”
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The spirituality of Andrei Rublev's Icon of the Holy Trinity by J. Reimer

“… This article focuses on the work of Rublev who is considered to be the greatest medieval Russian Orthodox painter of icons and frescoes and whose work has influenced generations of Russian artists, theologians, writers and philosophers. …”
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Sorolla : vers l’immersion by Pierre Géal

“…The familiarity of Sorolla's painting is not only the result of the subjects he represents and their universality, nor of the faithfulness to reality, which is often attributed to this virtuoso painter. It also stems from the use of particular techniques too often hastily characterized as "photographic". …”
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Free Frida : entre able gaze et approches anti-validistes by Elena Chamorro

“…In this article, we look at two biographies on the Mexican painter Frida Kahlo and an academic article that share the common characteristic of adopting an approach to the life and work of this artist that presents ableist biases that are sometimes combined with gender biases. …”
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Les peintures mates d’Antoine Wiertz (1806-1865) by Karine Janssen

“…This study concludes that the appearance of those artworks is not a result of the artist’s intent but caused by the combined action of various changes inherent to the painter’s technique.…”
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Degas et le cheval by Mariel Oberthur

“…To study the way horses moved, long before Muybridge’s celebrated photographs were published in 1878, the painter Degas visited his friend Paul Valpinçon in Normandy, at Ménil-Hubert near the Haras du Pin stud farm. …”
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Robert Louis Stevenson and the ‘Optic Nerve’. Portraiture in Weir of Hermiston by Clotilde De Stasio

“…Not much has been written so far about the marked visuality in the opening chapters and the influence of the Scottish painter Raeburn on Stevenson’s writing. I shall try to demonstrate that, while delineating the powerful image of the Scottish Judge, Lord Braxfield, the writer had in mind his portrait by Raeburn. …”
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Osobnost a dílo Matouše Radouše a tvorba renesančních epitafů v Chrudimi by Ondřej Jakubec, Radka Milotová

“… The article focuses on the personality of Matouš Radouš, a painter, (†1631), of the town Chrudim, and with his outstanding and partly well preserved work – the epitaphs of prominent Chrudim burghers. …”
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Пародийное в творчестве Владимира Шинкарева by Jędrzej Melchior Paulus

“…Vladimir Shinkarev is a famous Russian writer and painter. His Mitki and Maxim and Fedor were among the most popular underground books in Leningrad in the late 1980s. …”
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Α Byzantine icon of the Theotokos Hodegetria (Temple Gallery, London) by Triviza Eleni

“…The depiction of the Virgin Mary in half-length, turning to the right, with her gaze fixed on the viewer, the manner of the depiction and attitude of Jesus Christ, the rendering of their facial features, the imposingness of the two figures and their movements, the pleats of the clothes and the configuration of the two halos indicate the work of a highly skilled painter. The iconographic and stylistic features of the icon are dated to around 1400.…”
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Greek Textual Archaeology and Erotic Epigraphy in Simeon Solomon and Michael Field by Stefano Evangelista

“…This article examines the use of the Greek language as object of desire in works by the painter Simeon Solomon and the poetic duo Michael Field (Katharine Bradley and Edith Cooper). …”
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Du socle au paysage : essai pour un nouveau regard sur les reliefs by Claire Portal

“…Landforms are considered here as landscapes patterns constituting the "geographical basement " for landscape painter, holding a cultural aspect emanating from a new field of research, cultural geomorphology. …”
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O comércio de “couro dourado”/guadameci entre Córdova e Lisboa: um contrato de venda de 1525 by Franklin Pereira

“…“The trade of gilt leather/guadameci between Córdoba and Lisbon: a contract from 1525” deals with a document of imports between a gilt leather maker from Lisbon, working for the court, and a painter from Córdoba; the list includes altar fronts, wall hangings and cushions. …”
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La memoria de un fruto: La Fiesta del Pijuayo by María Eugenia Yllia, Nancy Ochoa

“…The bora painter Víctor Churay Roque (or Ivá Wajyámu, « Feathered macaw »), author of the Fiesta del Pijuayo, presents a rite that evokes the mith of the first man who sowed the palm tree in this land. …”
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