North-American Novelists’ Autobiographical Acts: Nonfictional Disruptions by Klaudia Kopiasz

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Journalisme et littérature : In Cold Blood, ou l’association paradoxale du fait divers et du “Nonfiction Novel” by Christophe CHAMBOST

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T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose by John S. BAK

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Ditadura militar e literatura “parajornalística”: desconstruindo relações by Sabrina Schneider

Subjects: “…nonfiction novel…”
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El campo literario post-15-M desde una perspectiva feminista by Isabelle Touton

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Non-Fictional Interwar Narratives by English Writers by Barbara PUSCHMANN-NALENZ

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Expérience d’écriture créative, entre lecture critique du roman britannique contemporain et vieilles histoires de famille by Isabelle HERVOUET

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"The City as Muse": A Context-Oriented Meta-Historical Reading of Toyin Falola's A Mouth Sweeter than Salt by Ibrahim A. Odugbemi

“… A number of scholarly and critical arguments have explored the poetics of nonfiction, otherwise called life writing, as a sub-genre of prose literature. …”
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Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

“…This essay aims to reveal the aesthetic and ideological stakes of the documentaries on the shooting of Shakespearean adaptations, in relation to the dialectics governing fiction and nonfiction, disclosure of enunciation or submersion into fiction. …”
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“Facing the Monolith:” Virginia Woolf, Modernism and Impersonality by Paolo BUGLIANI

“…In addition to that, the statement of a much needed authorial aura in the literary text underlies Woolf’s overwhelming urge for life writing, both in fiction and nonfiction. The genesis of this idea, rooted in ancient Greek literature and most importantly in Montaigne’s essayistic self-portraiture, firmly positions Woolf among the Western expressivist cultural tradition.…”
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Paul Auster’s Post-9/11 Writing by François Hugonnier

“…This essay sets out to explore Paul Auster’s various responses to the terrorist attacks, found in his works of fiction and nonfiction, in order to unveil their complex connections with world history and representation. …”
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Los conflictos del documental español: el caso de Basilio Martín Patino by Manuel de la Fuente

“…The aim of this paper is to study the following features in three particular films (Canciones para después de una guerra, Madrid y Libre te quiero): fiction vs. nonfiction narrative; the political depiction of the city of Madrid; and the tools of censorship in different contexts. …”
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Amnesia Narratives: Memory, Forgetting, and Identity by Jason Tougaw

“…A cluster of recent, high-profile fiction and nonfiction amnesia narratives join a rapidly evolving tradition of neuronovels and brain memoirs, drawing on neuroscience to explore philosophical and social questions about the brain, identity, social relations, and history. …”
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Postmigracyjny background i co z niego wynika. Rewolty tożsamościowe dzieci późnych przesiedleńców w prozie faktograficznej Emilii Smechowski, "My, super imigranci" by Joanna Szydłowska

“…The article analyzes an extensive nonfiction book by Emilia Smechowski, a Polish-born author who relocated to Germany as a child. …”
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Murder and Aesthetics in Patricia Highsmith’s Deep Water by Robert Lance Snyder

“…Highsmith’s mordantly unsettling narrative anticipates the mimetic fascination with murder in postmodern popular culture that ever since Thomas De Quincey’s 1827 satirical essay on the subject has abounded in fiction, nonfiction, and film. Writing against the grain of post-World War II conformism, Highsmith proleptically addresses issues of maladaptation in her portrait of a repressed sociopath who attempts to mask his inner rage via the sublimation of aesthetic pursuits.…”
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Making Connections: Reading Barbara Kingsolver’s Works from an Ecofeminist Partnership Ethics Perspective by Abhra Paul, Vidya Sarveswaran

“…Following this line of thought, this paper studies Barbara Kingsolver’s fiction and nonfiction, namely, High Tide in Tucson (1995), Small Wonder (2003), Prodigal Summer (2000), Flight Behaviour (2012), and Animal Dreams (1990) through the lens of Ecofeminist Partnership Ethics (Carolyn Merchant 2014) and foregrounds the interrelationship between women, women-nature, and human-nature. …”
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Nomadic Memory in Aleksandar Hemon’s Memoirs by Rubén Peinado-Abarrio

“…Analyzed with the tools provided by critical posthumanism, Hemon’s nonfiction becomes an example of remembering in what Braidotti calls a minority-mode. …”
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Fictions et non-fictions d’enquête : un modèle de saisie des mondes contemporains by Frédéric Claisse

“…Becker, the paper questions the cognitive significance of three works of nonfiction (The Lifespan of a Fact, by John D’Agata and Jim Fingal ;6/5, by Alexandre Laumonier ; Somaland, by Eric Chauvier), characterized by the centrality they give to inquiry both as an engine for narrative and as a form of knowledge. …”
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Assembling Reading and Writing in the Face of Loss: Christa Couture’s How to Lose Everything and Dakshana Bascaramurty’s This Is Not the End of Me by Lola Artacho-Martín

“…Through nonfictional texts dealing with complicated and traumatic experiences related to loss, readers and writers seem to become more intricately entangled. …”
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