«Jeg vil bli en å regne med» by Aage Aagesen

“…By telling their stories of involvement in crime and their desistance process as career shift narratives, continuity in their »real me« is emphasised. …”
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Tess of the d’Urbervilles du roman à l’écran : les ambiguïtés du point de vue by Isabelle Gadoin

“…Even though the notion of « point of view » in fiction naturally involves a visual metaphor, the transposition of point of view appears to be one of the great challenges of adaptations of novels into films. Indeed, Hardy’s narrators, at least in his late fiction, are tantalisingly ambiguous, and tend to act in two highly contradictory ways : appealing to the reader’s sympathy and pity for the plight of the protagonist, while simultaneously undermining this involvement through the critical or ironical interventions of the obtrusive narrator. …”
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The Alps as a Therapeutic Landscape in the Animation Series “Heidi, Girl of the Alps” (1974) by Oliver Salas Herrera

“…At the same time, the audiovisual narrative invites to a deeper understanding of the qualities of rural life and its relationship to sustainable resources.…”
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Meaning of the experience of tattooing the body on young adults belonging to single-parent families by Alejandro Barbosa-González, Jessica Tatiana Alvira-Quesada

“…Method: The qualitative method with narrative design was implemented. The technique to collect the information is a free interview. …”
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Beyond “for ever England”: Contemporary British Women’s War Poetry and the First World War Canon by Sofia Permiakova

“…Turning to the First World War patriotic narrative of “for ever England,” epito- mised by Rupert Brooke and his writing as the point of departure, this paper investigates 21st century commemorative women’s poetry written during the First World War centenary years and its subversive interaction with this traditional war narrative. …”
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Vers une géographie imaginée de la Perse by Aurélie Choné

“…My geopolitical reading dwells on Faber’s art of travel and sketches the outlines of the “imagined geography” of Persia that the narrative points out, especially through the importance it gives to some archetypal places. …”
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Les Technopères : la carte informatique, un chemin initiatique by Eric Villagordo

“…We will try to identify the aesthetic and narrative devices which permit us to represent what is not representable, the ubiquitous computer science, the hyperconnection, the abolition of time and space as well as the infinitely small inside the machines. …”
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Orkut e Facebook: as teias da memória em meio às redes sociais by Marcia Elisa Rendeiro

“…We consider, in this current work, Orkut and Facebook fenomena by the analysis of memory in its narrative aspects and in the development of contemporary identities. …”
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Using progress logs to research the information behaviour of higher education students in prison by Isabel Virgo

“…Despite sharing some of the drawbacks of the solicited diary method, progress logs also build on their advantages to build a narrative of change over time. Conclusions. It is concluded that progress logs offer a suitable means to gather in-depth data about individuals’ information behaviour, especially during transitions.…”
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Toi, cyborg ? L’hybridation prothétique dans la nouvelle de science-fiction by Dominique Kunz Westerhoff

“…Renewing this narrative of concatenation, Eschbach and Bacigalupi elaborate cyborg texts where the limits of the whole and parts, of the one’s own body and its artificial extensions, become confused. …”
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“Justice Has a Bad Side”: Figurations of Law and Justice in 21st-Century Superhero Movies by Nicole Maruo-Schröder

“…Superhero narratives have always been deeply entangled with questions of justice, and their characters, crisis situations, and narrative solutions have changed in close relationship with the socio-historic contexts they responded to. …”
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On the Logic of Conspiracy. Theories and the Soros Myth by Valentina Pisanty

“…On the one hand, the appeal of conspiracy theories - especially in times of economic, social and political crisis - depends on the fact that, as they oversimplify reality, they make it more manageable from a cognitive and narrative point of view. On the other, they exploit the deep contradictions that run through the liberal-democratic post-1989 European narrative, according to which equality and social justice may be brought about by enlightened elites. …”
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Postmodernismâs symptom in the Foroughâs language and intelligence by محمد خسروی شکیب, مریم یاراحمدی

“…In the end, postmodernism could be accepted as narrative style which fluidity, transiently, intertxtuality, anti-narrative, disarrangement, mixture, discrepancy and decomposition are more important feature of this movement. …”
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Resemblance, Representation and Scepticism: The Metaphysical Role of Berkeley’s Likeness Principle by David Bartha

“…First, in section 1, I raise some concerns about the traditional narrative concerning the likeness principle’s role in Berkeley’s argumentation. …”
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Gulliver and the Gentle Reader by Claude RAWSON

“…From the beginning, the reader is wrongfooted by an unusually quarrelsome intimacy on the part of the narrative, and a constantly shifting instability in the register of the irony. …”
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The Precarious Balance of Refugees: Rupture and Connectivity in Mohsin Hamid’s Exit West (2017) and Helon Habila’s Travelers (2019) by Vanessa Guignery

“…Contemporary novels about refugees often question the appropriateness of traditional narrative forms to relate stories of forced migration which involve a fragmentation of the self and of one’s sense of reality. …”
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Research Imitates Life: Researching Within Your Lived Experience by Bethany Donaghy, Delane Linkiewich

“…Throughout this narrative, we (Bethany Donaghy, an autistic person, and Delane Linkiewich a person living with chronic pain) share our perspectives on what it is like to be lived experience researchers. …”
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Reimagining and Decolonizing the Language of Design by Nidhi Singh Rathore

“…Using untailored faldas (skirts) as a narrative canvas, it demonstrates an alternative approach to design research that emphasizes learning from collaborative storytelling. …”
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Twelve Million Black Voices: Let Us Now Hear Black Voices by Laurence Cossu-Beaumont

“…Ultimately the paper will extend the reflection on “truth” in the narrative. A “folk history” is carefully crafted, or perhaps staged, by the weaving of text and photographs. …”
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Super-héros et science-fiction française dans l’immédiat après-guerre by Désirée Lorenz

“…We propose to draw the portrayal of this emerging French science fiction comics, which is necessarily unstable, moving and whose graphic, narrative and ideological characteristics are often shelved.…”
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